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The Mind :\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eMindfully Strong\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eTwenty thousand leagues above the seas: The Icarus Project\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eE-performance: Yannick Agnel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003eChampions League Koulikoro\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan class=\"s1\"\u003e3. 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There were so many people that evening at Librarie Yvon Lambert—crowds overflowing on rue Vieille du Temple—that we could not even find each other. As our readership grew, so did the number of pages and contributors. There were not always six months between issues, but there were always two volumes a year. \u003c\/p\u003e\n\u003cp\u003eThree years later and with great pleasure, we present Volume VI, dedicated to a feeling of happy satisfaction and enjoyment. A magazine first imagined without rules, we have now found ourselves with two recipes, a beauty section, and a seasonal horoscope column. You will also find your favorites: Drawing Matters, Family Portrait, Addresses, and Flipskirt. Beyond these staples, this issue also invites you to play solitaire online, slurp on the foam, make a video call, pick up dahlias, and find out what your fetish truly is. \u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":32540831842440,"sku":"","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/Capture_d_ecran_2020-02-26_a_16.06.52.png?v=1582730977"},{"product_id":"13-mars-nang-magazine","title":"NANG Magazine","description":"\u003cp\u003eL'évènement est reporté à une date ultérieure.\u003c\/p\u003e\n\u003cp\u003eThe even is postponed.\u003c\/p\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":32540931817608,"sku":"","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/nang_talk_paris_postponed.jpg?v=1584031764"},{"product_id":"cahier-de-seoul-issue-2-mountains-in-seoul","title":"Cahier de Séoul Issue 2 - Mountains in Seoul","description":"\u003cp\u003e\"Cahier de Seoul est un magazine bilingue français coréen sur la culture coréenne. Dans ce deuxième numéro consacré aux montagnes de Séoul, nous présentons le travail de douze créateurs coréens : Hasisi Park, Lee Kwangho, Kim Yunsoo, Ahn Ara, Dodamyo, Kang Soojin, Pyo Kisik, Lee Seahyun, Society of Architecture, Kim Kyungtae, Ses Jeonghwa, IISE\u003cbr\u003e232 p. \/ 170x240mm\u003c\/p\u003e\n\u003cp\u003e까이에 드 서울은 비정기적으로 출판되는 독립 출판물입니다. 두 번째 호 ‘서울의 산’은 서울에 있는 44개의 높고 낮은 산에 대한 이야기와 작업에서 자연을 떠올리는 포토그래퍼, 디자이너, 요리사, 아티스트 12명의 작업과 인터뷰를 함께 담았습니다.\"\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":33641572892808,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/Captured_ecran2020-04-20a16.52.22.png?v=1587394699"},{"product_id":"magazine-b-issue-54-maison-margiela","title":"Magazine B Issue #54 : MAISON MARGIELA","description":"\u003cp\u003eRecognizable by the signature four white stitches and blank tag, celebrated French fashion brand Maison Margiela made its debut in Paris in 1988. Founder Martin Margiela shied away from the spotlight, choosing anonymity over celebrity and ‘we’ over ‘I’.\u003c\/p\u003e\n\u003cp\u003eAn avant garde at heart, he challenged the idea of traditional garments by experimenting with deconstruction and reconstruction, exaggerated silhouettes and trompe- l’oeil(optical illusion). 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À travers les mots de ses deux filles, Julie Boukobza et Lily McMenamy, et une étonnante collection de photographies privées, publiée pour la première fois, le fanzine présente un portrait peu conventionnel de l'un des protagonistes de la scène du clubbing et du lieu qu'il a créé.\u003cbr data-mce-fragment=\"1\"\u003eEdité par Julie Boukobza.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eParu en février 2021\u003cbr data-mce-fragment=\"1\"\u003eÉdition bilingue (français \/ anglais)\u003cbr data-mce-fragment=\"1\"\u003e19 x 25,5 cm (broché, reliure deux points métal)\u003cbr data-mce-fragment=\"1\"\u003e32 pages (ill.)\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eIssue dedicated to the iconic Parisian club Les Bains Douches.\u003cbr data-mce-fragment=\"1\"\u003eThe Clubbing fanzine is a new editorial project by Cura. 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Through the words of his two daughters, Julie Boukobza and Lily McMenamy, and an amazing collection of private photographs, published for the first time, the fanzine features an unconventional portrait of one of the protagonists of the clubbing scene and of the place he created.\u003cbr data-mce-fragment=\"1\"\u003eEdited by Julie Boukobza.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003ePublished in February 2021\u003cbr data-mce-fragment=\"1\"\u003eBilingual edition (English \/ French)\u003cbr data-mce-fragment=\"1\"\u003e19 x 25,5 cm (softcover, stapled binding)\u003cbr data-mce-fragment=\"1\"\u003e32 pages (ill.)\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":39250087706780,"sku":"","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/image_092b67f8-d29f-413c-a11c-b585eb9a1834.png?v=1623481895"},{"product_id":"les-saisons-n-3","title":"Les Saisons - N°3, Une part discrète du film","description":"\u003cp\u003e\u003cstrong\u003eLancement du numéro 3 de la revue Les Saisons\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e« FRAME MANŒUVRES » par Bruno Delgado Ramo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e30 juin 2021\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e18h – 20h\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJune 30\u003cspan style=\"font-size: 11.6667px;\" data-mce-style=\"font-size: 11.6667px;\"\u003eth\u003c\/span\u003e, 2021\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e6:00 PM – 8:00 PM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e*** \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/SCAN5902_600x600.jpg?v=1623924076\"\u003e\u003c\/p\u003e\n\u003cp\u003eÀ l’occasion de la sortie de son troisième numéro, la Revue Les Saisons et la Librairie Yvon Lambert invitent le cinéaste espagnol Bruno Delgado Ramo. Il présentera plusieurs de ses créations \u003cem\u003ein situ\u003c\/em\u003e autour des origines optiques du cinéma et du médium film, invitant le public à découvrir les mécanismes traditionnellement invisibles de la projection cinématographique. Bruno Delgado Ramo conduira une double projection super 8 en personne dans l’espace de la librairie. La première sera une performance réalisée à deux reprises lors de la soirée (18h30 \u0026amp; 19h30) et la deuxième – une installation spécialement conçue pour la fenêtre de la librairie.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003ePerformance, 26’\u003cbr\u003e\u003c\/u\u003eWORK TO GET DONE\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003esuper8, 26’, 18fps, son magnétique\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFilm qui est encore en train de se faire et qui sera partagé dans une configuration sonore développée spécifiquement dans l'espace de présentation, la Librairie Yvon Lambert. À leur manière, les bobines super8 qui composent le film sont des enregistrements de lieux en cours de réalisation : un certain nombre de chantiers de rue, des ateliers d'artistes et d'autres espaces de maison dans lesquels un processus et un état d'inachèvement ont lieu. Dans cette optique, le film sera projeté en cours de construction et la bande sonore magnétique sera ajoutée sur place juste avant la projection, à l'aide de ce que l'on trouve dans la librairie.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eInstallation, 7’\u003cbr\u003e\u003c\/u\u003eFRAME MANOEUVRES\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eenvironnement de projection adapté à la fenêtre de la Librairie Yvon Lambert, super8 en boucle, 18fps, son magnétique, ventilateur, feuilles de plastique rouge et translucide, miroir rectangulaire.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCe dispositif filmique est une étape intermédiaire d'un projet à venir qui étudie les zones de pilotage des ports de La Corogne et de Toronto (où seul le pilote du port est suffisamment habile pour manœuvrer) et le cadre du film pris à la fois comme des surfaces délimitées consacrées à la manœuvre, aux mouvements et à des procédures très précises, navales et cinématographiques.\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eOn the occasion of the release of its third issue, Les Saisons Cinema Journal and the Yvon Lambert Bookshop invite the filmmaker Bruno Delgado Ramo. He will present several of his creations in situ around the optical origins of cinema and the medium of film, inviting the public to discover the traditionally invisible mechanisms of cinematographic projection. Bruno Delgado Ramo will conduct a double super 8 projection in person in the bookshop space. The first will be a performance made twice during the evening (6:30 \u0026amp; 7:30 pm) and the second - an installation specially designed for the bookshop window.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eScreening performance, 26’\u003cbr\u003e\u003c\/u\u003eWORK TO GET DONE\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003esuper8, 26’, 18fps, magnetic sound\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA film that is still being made, that will be shared into a sound configuration developed specifically in the presentation space, the Librairie Yvon Lambert. In their own way, the super8 reels that comprise the film are records of places while they are being made: a number of street construction sites, some artist studios and other house spaces in which a process and a state of incompleteness takes place. In line with all these matters, the film is shown under construction and the magnetic soundtrack is added on-site just before the screening, making use of whatever is found in the bookshop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eFilm-environment, 7’\u003cbr\u003e\u003c\/u\u003eFRAME MANOEUVRES\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eprojection environment adapted to Librairie Yvon Lambert’s windows, super8 on loop, 18fps, magnetic sound, fan, red and translucent plastic sheets, rectangular mirror.\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eThis film-based arrangement is an intermediary stage of an upcoming project that investigates the port pilotage area (where only the port pilot is sufficiently skilled at manoeuvring) and the film frame taken both as demarcated surfaces devoted to manoeuvring, to precise procedures. The pair of projectors make the moving image transit through the space and divide into different layers. The series of mobile elements and of actions between the projector and the projection alters the latter.\u003c\/p\u003e\n\u003cp\u003e***\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNouvelle collection inédite d’histoires du cinéma écrites par les cinéastes. Nous les suivons à travers de nombreux passages, des rencontres, des outils, des êtres aimés, la mémoire du film. Les allers-retours sont incessants et témoignent tant de l’être infini du cinéma que de son double pour dire et raconter le monde - l’écriture. \u003cbr\u003e\u003cbr\u003eNew unpublished collection of histories of cinema written by filmmakers. We follow them through many passages, encounters, tools, loved ones, the memory of the film. The ceaseless back-and-forth movements testify to the infinite nature both of cinema and of writing, cinema’s double when it comes to speaking of, and narrating, the world.\u003c\/p\u003e\n\u003cp\u003eAuteurs:\u003cbr data-mce-fragment=\"1\"\u003eLis Rhodes, Alexandra Cuesta, Sharon Lockhart, Larry Gottheim, Bruno Delgado Ramo, Helga Fanderl\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTraducteurs:\u003cbr data-mce-fragment=\"1\"\u003eMaría Palacios Cruz, Marcelline Delbecq, Anne Bertrand, Blandine Longre, Gaëlle Cogan, Anita Rochedy, Mark Harvey, Renaud Lejosne-Guigon\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLes écrits que Les Saisons collecte naissent dans un espace de coalescence entre les mots et les images : le paysage masculin de l’histoire que Lis Rhodes rouvre à son appropriation irréductible, l’acuité magique dans la notation des souvenirs qui compose le texte d’Alexandra Cuesta, collectrice de traces, la visibilité du travail et de l’amour dont Sharon Lockhart interroge l’enregistrement, les morceaux d’existence qui se dégagent de la remémoration comme acte\u003cbr data-mce-fragment=\"1\"\u003eéperdu de conscience chez Larry Gottheim, le processus de l’écriture chez Bruno Delgado Ramo tel un peintre faisant sa palette, le trouble dans le temps à travers la somme d’aperçus abondants et lacunaires d’Helga Fanderl, collectrice de vues.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"http:\/\/www.revuelessaisons.com\"\u003ewww.revuelessaisons.com\u003c\/a\u003e\u003cbr\u003e Revue Les Saisons N°3\u003cbr\u003e parution mars 2021\u003cbr\u003e français et anglais\u003cbr\u003e 80 pages\u003cbr\u003e monochrome\u003cbr\u003e 1 image\u003cbr\u003e format 16 x 34 cm\u003cbr\u003eISBN 978-2-9574810-0-2\u003cbr\u003e ISSN 2609-4002\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e© Les Saisons\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; 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background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":39744398229660,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/129812529_111410697493562_6963896319390601642_n_1.jpg?v=1619171954"},{"product_id":"gaze-n-2","title":"Gaze - N°2","description":"\u003cp\u003e\u003cstrong\u003eLancement \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e17 juin 2021\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e18h - 20h\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaunch\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJune 17th, 2021\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e6:00 PM - 8:00 PM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eAu sommaire du deuxième numéro : Assistez à la rencontre tout en douceur entre l’écrivaine canadienne Nancy Huston et l’autrice et travailleuse du sexe française Bebe Melkor-Kadior ; Suivez la reporter Laurène Daycard à la rencontre de couples de lesbiennes âgées, dans une quête intime et politique ; Découvrez la plus personnelle des lettres d’amour de Morgane Ortin (Amours solitaires) : une lettre à soi-même ; Partez sur les traces de Kathleen Hanna, qui a guidé le mouvement punk des riot girls dans les années 90 ; Écoutez les confidences d’un duo mère-fille tout en pudeur, sur la transmission et la transidentité ; Embarquez dans le futur avec une nouvelle d’anticipation inédite signée Illana Weizman, au coeur d’une révolution de la parentalité ; Mais aussi : la spécialiste de l’histoire l’art Margaux Brugvin, la journaliste kurde Zehra Dogan, la photographe Denisse Ariana Perez, l’infatigable défenseuse de l’égalité Rokhaya Diallo… Et de nombreuses surprises.\u003cbr\u003e\u003cbr\u003eGaze, c’est une dose female gaze en texte et en image, zéro publicité. La revue est entièrement bilingue français-anglais. Gaze explore les enjeux intimes, culturels et sociétaux de la condition féminine à travers des récits incarnés, des articles écrits à la première personne et une tonne d’images.\u003c\/p\u003e\n\u003cp\u003e***\u003cbr\u003e\u003cbr\u003eIn the second issue of Gaze : Witness a gentle meeting between the Canadian writer Nancy Huston and the author and sex worker Bebe Melkor- Kadior ; Follow the footsteps of Kathleen Hanna, who led the riot grrrl punk movement in the 1990s ; Meet older lesbian couples with the reporter Laurène Daycard, in an intimate and political journey ; Listen to the secrets of a mother-daughter duo, on subjects of transmission and transidentity ; Travel into the future with an anticipation story by Illana Weizman, at the heart of a parental revolution ; And also: the Kurdish journalist Zehra Dogan, the queer Argentinian icon Camila Sosa Vilada, the DJ Barbara Butch... And many surprises.\u003cbr\u003e\u003cbr\u003eA dose of female gaze, in text and image, zero advertising. The magazine is entirely bilingual French-English. Through storytelling, reporting and a ton of photography, Gaze explores the intimate, cultural and political issues of womanhood.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e© Gaze Magazine\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":40135233699996,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/GAZE_MAGAZINE_NUMERO_2.png?v=1623942284"},{"product_id":"the-drawer-volume-20-10-ans-10-years","title":"The Drawer Volume 20 - 10 ans \/ 10 years","description":"\u003cp\u003e\u003cstrong\u003eLancement\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e24 juin 2021\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e18h - 20h\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaunch\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJune 24th, 2021\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e6:00 PM - 8:00 PM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eTerrain de jeu, d'expression et de création autour d'une même couleur, le volume 20 célébrant les 10 ans de The Drawer réunit les dessins et les contributions écrites d'une vingtaine d'artistes et de créateurs.\u003c\/p\u003e\n\u003cp\u003eCréé en 2011, The Drawer fête ses 10 ans cette année. 10 ans, 20 volumes, 500 artistes invités, contactés, rencontrés le plus souvent possible, publiés. Des éditions, des expositions, des amitiés sont nées avec certains d'entre eux. Comme un fil, le dessin nous a rapprochés. Il a tissé du lien.\u003c\/p\u003e\n\u003cp\u003eLe dessin est une fête. Et ce volume, un numéro anniversaire qui renferme son lot de surprises, telle la série de dessins réalisés ou confiés pour l'occasion par une vingtaine d'artistes – soit un par volume publié, du duo Mrzyk \u0026amp; Moriceau publié dans The Drawer #1 à l'artiste italienne Piera Luisolo en couverture du n° 19. \u003cbr\u003eLa série photo inédite de Grégoire Alexandre et Christophe Brunnquell est un autre cadeau : deuxième collaboration entre le photographe et le directeur artistique, elle consiste en une projection des dessins du second sur des modèles vivants photographiés par le premier. Une façon différente d'appréhender et de capturer le dessin. C'est l'ambition de The Drawer depuis ses débuts. Penser et montrer le dessin de manière élargie, dans la variété de ses écritures, de ses possibles et de ses écarts. C'est pourquoi on retrouvera ici rassemblées les œuvres dessinées de l'ancien contributeur d'Hara-Kiri Jacques Pyon, des auteurs de BD Fabio Viscogliosi et Philippe Dupuy, du designer Ronan Bouroullec, des jeunes diplômés Yoann Estevenin et Brieuc Remy, du maître italien Giorgio Griffa, des sculpteurs Guillaume Leblon et Mathis Collins, entre autres. De la diversité générationnelle, géographique et esthétique une fois encore au menu de ce volume spécial. \u003cbr\u003e10 ans, le moment de la célébration et du bilan. Que s'est-il passé sur le front du dessin ces dix dernières années ? Un gain de visibilité et de liberté assurément, dont The Drawer s'est fait le témoin et l'écho. De plus en plus de couleurs, de supports – carton, mur, sol, plafond, corps… –, d'outils innovants et de ponts vers la peinture, la sculpture, l'image animée, le numérique.\u003c\/p\u003e\n\u003cp\u003eEt puis rien, l'immuabilité propre au dessin. Tel le peintre et dessinateur Gorgio Griffa, à l'honneur au LaM cette année, qui dessine depuis soixante ans des formes millénaires à l'aquarelle et à l'encre de Chine – loin, très loin, des crayons laser, du dessin « éthérique » ou intangible mentionnés ici plus ou moins sérieusement par le jeune peintre allemand Pierre Knop, le dessinateur canadien Jeff Ladouceur et l'artiste italien Siro Cugusi évoquant le futur du dessin.\u003c\/p\u003e\n\u003cp\u003eLe dessin en 2031 ? Rendez-vous dans dix ans.\u003c\/p\u003e\n\u003cp\u003eAvec Grégoire Alexandre \u0026amp; Christophe Brunnquell, Amélie Bertrand, Ronan Bouroullec, Mathis Collins, József Csató, Siro Cugusi, Gregory Cuquel, Guillaume Dégé, Philippe Dupuy, Yoann Estevenin, Gabriella Giandelli, Jochen Gerner, Yann Gerstberger, Vincent Gicquel, Jason Glasser, Louis Granet, Vivian Greven, Giorgio Griffa, Marine Julié, Pierre Knop, Jeff Ladouceur, Guillaume Leblon, Alain Le Foll, Piera Luisolo, Stéphane Manel, Mélanie Matranga, Anthony Miler, Mrzyk \u0026amp; Moriceau + Antwan Horfee, Felipe Oliveira Baptista, Tom de Pekin, Lucie Picandet, Jacques Pyon, Christine Rebet, Brieuc Remy, Claus Georg Stabe, Samuel Trenquier, Jacques Villeglé, Fabio Viscogliosi, Taline Zabounian.\u003cbr\u003eRevue constituée de dessins et consacrée au dessin, The Drawer laisse la parole et le champ – presque – libre aux seuls « dessinateurs », réunissant semestriellement les dessins et les contributions écrites d'une trentaine d'artistes et de créateurs. \u003cbr\u003eEn anglais, « the drawer » signifie « le tiroir ». Il désigne aussi « celui qui dessine ». Assumant la polysémie de son titre, la revue The Drawer pourrait donc s'envisager comme un « tiroir à dessins ». Ce qu'elle est d'une certaine façon : revue entièrement constituée de dessins et consacrée au dessin, que l'on peut ouvrir et refermer à loisir, propice enfin aux associations les plus inattendues, The Drawer porte donc bien son nom.\u003c\/p\u003e\n\u003cp\u003eMonomaniaque, The Drawer n'en est pas moins ouverte d'esprit : tous les dessins, pourvu qu'ils soient bons, et tous les dessinateurs, l'intéressent. Célébrant la pratique du dessin dans sa dimension la plus large, The Drawer mêle donc aussi bien des contributions d'artistes (plasticiens, illustrateurs, designers, architectes) que celles de créateurs moins attendus (chanteurs, écrivains, musiciens, chorégraphes, réalisateurs). Leur point commun : un même goût et une même pratique du dessin.\u003c\/p\u003e\n\u003cp\u003eSemestrielle, The Drawer est aussi thématique. Chaque numéro prend comme point de départ le titre d'une oeuvre littéraire, cinématographique ou musicale, choisi pour son potentiel créatif et\/ou fantasmatique (volume 1 : Les Temps modernes, volume 2 : La Métamorphose, etc.). Chaque contributeur est invité à s'y soumettre et chaque dessin publié, qu'il soit déjà existant ou spécialement réalisé pour l'occasion, s'y rapporte.\u003c\/p\u003e\n\u003cp\u003eTerrain de jeu, d'expression et de création autour d'une thématique commune, The Drawer renseigne donc aussi bien sur la richesse plastique et graphique du dessin aujourd'hui que sur les artistes et personnalités invités également à répondre à une série de questions. Pourquoi dessiner ? Que dessiner ? Dessins ratés ?...\u003cbr\u003eVisuelle avant tout, davantage préoccupée de typographie que de texte, The Drawer se lit moins qu'elle ne se regarde, se feuillette, se compulse. Tiroir à dessins, exposition portative, cabinet d'art graphique miniature, The Drawer n'a d'autre ambition que celle du partage des miracles et des plaisirs du dessin.\u003cbr\u003eArtisanale et 100 % faite main, elle est le fruit du travail d'une petite équipe passionnée de dessin : Sophie Toulouse, directrice artistique et Barbara Soyer, active dans le champ de l'édition et de l'art contemporain. \u003cbr\u003e\u003cbr\u003eThe Drawer est également une plate-forme éditoriale pour la publication d'ouvrages monographiques.\u003c\/p\u003e\n\u003cp\u003eParu en juin 2021\u003cbr\u003eÉdition française (textes en français et en anglais)\u003cbr\u003e17 x 24 cm (relié)\u003cbr\u003e160 pages (ill. coul. et n\u0026amp;b)\u003c\/p\u003e\n\u003cp\u003e© The Drawer\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":40135290224796,"sku":"","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/Sans_titre_1_21e310dd-3f13-4ccd-98fc-304e25ad99df.jpg?v=1623514265"},{"product_id":"the-skirt-chronicles-issue-viii","title":"The Skirt Chronicles - Issue VIII","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eLancement\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e26 juin 2021\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e17h - 19h\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaunch\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJune 26th, 2021\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e5\u003c\/strong\u003e\u003cstrong\u003ePM - 6PM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eFrom the publisher: \u003c\/p\u003e\n\u003cp\u003eOne Again\u003c\/p\u003e\n\u003cp\u003eWe have been making The Skirt Chronicles for almost five years now, always organically, building a publication we are looking forward to reading ourselves twice a year. It sometimes feels as though we are watching it being made before our own eyes, naturally unfolding with its own tenderness and self.\u003cbr\u003e\u003cbr\u003eFully embodied for the first time by Charlotte Rampling, we chose to show a face and a pair of eyes on the cover. The face of she who illuminates what it means to be a woman. The Skirt Chronicles aspire everyday to the elegance, grace, and strong will she emanates.\u003cbr\u003e\u003cbr\u003eThe elegance of Setsuko’s Bureau, the Graces of Ofelia’s poetry, and the strong will found in The Archer. Building upon traditions with Kengo, looking up in Beaugrenelle, and exploring Hydra with the Mardens, Volume VIII ebbs and flows like cryptocurrency.\u003c\/p\u003e\n\u003cp\u003e© The Skirt Chronicles\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":40216409505948,"sku":"","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/TSC-CouvSite3.jpg?v=1624095052"},{"product_id":"in-corpore-sano-issue-3","title":"In Corpore Sano - Issue 3","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Extreme Outdoor Magazine\u003cbr\u003e\u003ca href=\"https:\/\/www.instagram.com\/in.corpore.sano\/\" target=\"_blank\"\u003e@in.corpore.sano\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e© In corpore sano\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":41146469449884,"sku":"","price":36.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/244663500_556177002321068_4164008582810194555_n_1.jpg?v=1635504542"},{"product_id":"bagarres-n-1","title":"Bagarres - N°1","description":"\u003cp\u003e\u003cstrong\u003eLancement \/ Signature\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e2 décembre 2021\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e18h - 20h\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBook launch \/ Signing\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eDecember 2, 2021\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e6 PM - 8 PM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eLe premier numéro de la revue Bagarres (The Drawer \u0026amp; l'École d'Art), faite de contraintes et de règles du jeu.\u003c\/p\u003e\n\u003cp\u003e« En anglais, Bagarres signifie « a noisy brawl, a rumble », et c'est bien ce dont il s'agit ici ; un bruit qui dérange joyeusement nos habitudes pour donner à penser l'art autrement – un poil de travers, en biais –, le décomplexer un peu, s'amuser surtout.\u003cbr\u003eAlors pourquoi Bagarres ?\u003c\/p\u003e\n\u003cp\u003ePar association d'idées sans doute, comme dans la section ACCROCHAGE où 40 artistes se répondent par concaténation. Parce que se chamailler, c'est être ensemble, faire corps, comme dans la section JOUTE dans laquelle on vous livrele récit d'une expérience artistique commune. C'est aussi tisser des liens, partager, comme dans la section BATAILLE où les artistes s'approprient une œuvre anonyme dans la joie, et pour notre plus grand plaisir. C'est encore créer à plusieurs, comme dans la section CARTEL qui provoque de nouvelles collaborations, de nouvelles œuvres, inventant des couples éphémères ou pas. Mélanger les récits enfin, comme dans RIPOSTE où les artistes répondent en image à un texte littéraire tout spécialement écrit pour Bagarres. C'est à travers une série de règles du jeu donc, drôlement sérieux et on l'espère sérieusement drôle, que l'on a pensé Bagarres. Un ouvroir de création potentiel, une revue libre et sérieusement légère, où \"l'œuvre d'art est ce qui ne sert à rien\" et qui nous est tellement indispensable. »\u003cbr\u003eSophie Toulouse\u003c\/p\u003e\n\u003cp\u003eAvec Abagail Assor, Gilles Barbier, Julien Berthier, Cecilia Bengolea, Cornelius De Bill Baboul, Pauline Bonnet, Mike Boursheid, Alain Bublex, Camille Chastang, Anne Colomes, Lauren Coullard, Jozsef Csato, Idir Davaine, Guillaume Dégé, Lou Doillon, Agathe Dos Santos, Julie Dubos, Heloise Farago, Stéphane Foenkinos, Yoann Estevenin, Jacques Floret, Valentine Gardiennet, Sébastien Gouju, Aurélie Gravas, Philippe Hallais (Low Jack), Sarah Haug, Luke James, Thierry Lagalla, Julie Le Guern, Alexandre \u0026amp; Florentine Lamarche-Ovize, Gaspard Laurent, Seulgi Lee, Gil Lesage, José Lévy, Stéphane Manel, Clémence Mauger, Myriam Mechita, Jan Melka, Marine Pascal, Olivier Passieux, Charles Petit, Jeremy Piningre, Delphine Raoult, Caroline Rennequin, Florence Reymond, Antoine Roegiers, Stephane Sautour, Claus Georg Stabe, Samuel Trenquier, Vincent Villard, Adele Vivet, Virginie Yassef, Taline Zabounian, Romain Zacchi, Janna Zhirri.\u003c\/p\u003e\n\u003cp\u003eBagarres est une revue d'art contemporain bilingue et annuelle, faite de contraintes et de règles du jeu. Consacrée au passage de flambeau entre générations, au travail collectif, aux collaborations d'artistes, à l'engagement à plusieurs, Bagarres est une revue qui confronte les œuvres, les artistes, les écrits, les images, une revue qui produit et provoque des créations, une revue plurielle, qui s'amuse de tout avec tout le monde, sans a priori ni limites. Bagarres est la première collaboration des éditions The Drawer, fondées en 2011 par Sophie Toulouse et Barbara Soyer, et de l'École d'Art, fondée en 2021 par Julie Le Guern et Vincent Villard.\u003c\/p\u003e\n\u003cp\u003eParu en novembre 2021\u003cbr\u003eÉdition bilingue (français \/ anglais)\u003cbr\u003e21 x 29,5 cm (broché)\u003cbr\u003e160 pages (ill.)\u003cbr\u003eISBN : 978-2-493443-00-7\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eThe first issue of the magazine Bagarres, made of constraints and rules of the game.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn English, \"Bagarres\" is \"a noisy brawl, a rumble\"—and that's exactly what it's about here; a noise that joyously disturbs our habits to help us think Art differently—sideways, upside down—to uncomplicate it a bit, to have fun, mostly. So why Bagarres?\u003c\/p\u003e\n\u003cp\u003eBy association of ideas may be, like in the section ACCROCHAGE (HOOK UP) in which 40 artists answer by concatenation. Because to argue is to be together, to reunite like in the section JOUTE (PLAY) in which we tell you the story of a shared Art experience. It's also to build relationships, to share, like in the section BATAILLE (BATTLE) where the artists happily seize an anonymous paiting to re-interpret it, for our greatest pleasure. It's, again, to create together, like in the section CARTEL that provokes new collaborations, new pieces, inventing ephemeral or long-lasting couples. It's finally to mix and twist stories like in RIPOSTE (retaliation) where the artists answer to a literary text written especially for Bagarres. It's therefore through a series of funnily serious, and we hope, seriously funny game rules that Bagarres was thought of. \"A potential creative openener\", a free-minded review, gravely light-headed in which 'a piece of art is what's of no use\" (Christo) and that's so essential.\u003cbr\u003e—Sophie Toulouse\u003c\/p\u003e\n\u003cp\u003eWith Abagail Assor, Gilles Barbier, Julien Berthier, Cecilia Bengolea, Cornelius De Bill Baboul, Pauline Bonnet, Mike Boursheid, Alain Bublex, Camille Chastang, Anne Colomes, Lauren Coullard, Jozsef Csato, Idir Davaine, Guillaume Dégé, Lou Doillon, Agathe Dos Santos, Julie Dubos, Heloise Farago, Stéphane Foenkinos, Yoann Estevenin, Jacques Floret, Valentine Gardiennet, Sébastien Gouju, Aurélie Gravas, Philippe Hallais (Low Jack), Sarah Haug, Luke James, Thierry Lagalla, Julie Le Guern, Alexandre \u0026amp; Florentine Lamarche-Ovize, Gaspard Laurent, Seulgi Lee, Gil Lesage, José Lévy, Stéphane Manel, Clémence Mauger, Myriam Mechita, Jan Melka, Marine Pascal, Olivier Passieux, Charles Petit, Jeremy Piningre, Delphine Raoult, Caroline Rennequin, Florence Reymond, Antoine Roegiers, Stephane Sautour, Claus Georg Stabe, Samuel Trenquier, Vincent Villard, Adele Vivet, Virginie Yassef, Taline Zabounian, Romain Zacchi, Janna Zhirri.\u003c\/p\u003e\n\u003cp\u003eBagarres is a bilingual and annual contemporary art magazine, made of constraints and rules of the game, published by The Drawer, founded in 2011 by Sophie Toulouse and Barbara Soyer, and the École d'Art, founded in 2021 by Julie Le Guern and Vincent Villard.\u003c\/p\u003e\n\u003cp\u003ePublished in November 2021\u003cbr\u003eBilingual edition (English \/ French)\u003cbr\u003e21 x 29,5 cm (softcover)\u003cbr\u003e160 pages (ill.)\u003cbr\u003eISBN : 978-2-493443-00-7\u003c\/p\u003e\n\u003cp\u003e© The Drawer\u003cbr\u003e\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":42161976017129,"sku":"","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/BAGARRES_03_Page_01.jpg?v=1638464799"},{"product_id":"leaf-n-3","title":"Leaf - N°3","description":"\u003cp\u003eLeaf is a new bi-annual magazine based in Paris. \u003cbr\u003e\u003cbr\u003eCreative directors and Publishers\u003cbr\u003eDavid Chicheportiche \u0026amp; Simon Sévila\u003c\/p\u003e\n\u003cp\u003eEditor-in-chief\u003cbr\u003eRebecca Voight\u003cbr\u003e\u003cbr\u003eFashion Director\u003cbr\u003eMargaux Dague\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eExecutive Producer\u003cbr\u003eJuliette Topalian\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.instagram.com\/leaf_magazine\/\" target=\"_blank\"\u003e@leaf_magazine\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":42286197047529,"sku":"","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/COVER_LEAF_03.jpg?v=1640698358"},{"product_id":"tl-mag-n-36","title":"TL Mag - N°36 \"Tout est Paysage \/ All Is Landscape\"","description":"\u003cp\u003e\u003cstrong\u003eLancement\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e17 mars 2022\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e18h - 20h\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBook Launch \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMarch 17, 2022\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e6PM - 8PM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLes paysages, des espaces vivants reliant le monde visible et invisible\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eIl n’existe pas de « no man’s land » mais des paysages, que ce soit en Orient ou en Occident. L’artiste Giuseppe Penone parle « des pas qui en foulant le sol créent le jardin des existences. » La notion de Vide et de Plein est présente dans les deux cultures mais se matérialise sous des formes distinctes, tel un cadre de verdure en arrière-plan chez les peintres occidentaux ou un trait de pinceau marquant un souffle qui figure le mouvement ou le changement dans les arts d’Extrême- Orient. La réalité spatio-temporelle y est en outre très différente. Dans les anciens Pays-Bas, les peintres imaginaient des paysages sur la toile dès les XV-XVIe siècles, projetant des scènes d’utopies bucoliques ou l’existence d’un paradis terrestre. Leurs paysages étaient des voyages imaginaires dans des contrées lointaines à une époque où la mobilité n’était pas la nôtre. Les « jardins de l’âme » étaient au coeur de la culture et des beaux-arts du Moyen Âge et de la Renaissance au reflet d’une croyance en un paysage sacré ou l’allégorie d’un verger spirituel. En Orient, le langage pictural embrassait plus librement le paysage avec un empire des signes s’exprimant dans des traits calligraphiques et espacés, révélant la rotation des saisons et le rythme de l’homme et de la nature. Cette dynamique du trait remontant à l’Empire chinois du début du premier millénaire, intrinsèquement liée aux éléments de la nature, y est source d’énergie et de vitalité. Dans cette édition de TLmag, les paysages qui s’ouvrent à nous au fil de ces pages sont le fruit de témoignages de grands penseurs, artistes et paysagistes et visionnaires d’une terre en mutation. La question de la genèse du jardin de l’homme, de son genius loci est au coeur de cette édition bi-annuelle dirigée avec l’architecte de paysage Bas Smets qui s’y est engagé avec ferveur et enthousiasme. Le mystère et l’identité de la vie, l’enchantement du bois sacré ou du temple de la nature font partie de cette quête de compréhension de nous-mêmes et de notre monde en devenir. L’osmose avec le paysage, l’attrait des couleurs et de la matière, la conscience et l’acceptation de notre fragilité pourraient nous guider vers une vie meilleure si seulement nous écoutions encore mieux la terre et la force de ses éléments.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLandscapes, living spaces connecting the visible and invisible world\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is no, “no man’s land”, but there are landscapes, in both the East and West. Artist Giuseppe Penone speaks about “the footsteps which, by treading the ground, create the garden of existences”. The concept of Empty and Full is present in both cultures, but materialises in distinct forms, such as a green background for Western painters or a brushstroke marking a breath to represent movement or change in Asian art. The spatial-temporal reality is very different, as well. In the former Low Countries, painters created landscapes on canvas as early as the 15th-16th centuries, projecting scenes of bucolic utopias or the existence of an earthly paradise. Their landscapes were imaginary journeys to distant lands at a time when mobility was not a reality. “Gardens of the soul” were central to medieval and Renaissance culture and fine arts, reflecting a belief in a sacred landscape or the allegory of a spiritual orchard. In Asia, the pictorial language embraced the landscape more freely, with an empire of signs expressed in calligraphic and spaced strokes, revealing the turning of the seasons and the rhythms of man and nature. This dynamic, dating back to the Chinese Empire at the start of the first millennium, intrinsically linked to the elements of nature, offers a source of energy and vitality. In this edition of TLmag, the landscapes that open to us throughout these pages reflect the testimonies of great thinkers, artists and landscapers, and visionaries of a changing Earth. The question of the origin of the garden of man, of its genius loci, is at the heart of this biannual edition, directed with landscape architect Bas Smets, who engaged in it with fervour and enthusiasm. The mystery and identity of life, the enchantment of the sacred grove or the temple of nature are part of this quest to understand ourselves and our world in the making. The osmosis with the landscape, the appeal of colours and materials, the awareness and acceptance of our fragility, could guide us towards a better life, if only we listened even more closely to the Earth and the strength of its elements.\u003cbr data-mce-fragment=\"1\"\u003e- Lise Coirier, Publisher \u0026amp; Editor-In-Chief TLmag\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTout est Paysage\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eCes dernières années, nous avons fait l’expérience en temps réel des conséquences d’une hausse des températures de 1 °C qui s’est traduite par des phénomènes climatiques extrêmes comme des inondations sans précédent et des mégafeux. Selon le GIEC, les dix années à venir vont être cruciales pour limiter la hausse des températures à 1,5 °C. Nous devons repenser en profondeur la manière dont nous habitons cette planète. Je suis convaincu que la notion de paysage nous offre une ressource essentielle pour imaginer de nouvelles façons d’organiser notre existence dans ce monde. D’abord, le paysage est une manière d’imaginer le monde, puis de le réorganiser. Le mot a été inventé au XVIe siècle pour nommer un nouveau genre d’art pictural. Les premiers peintres de paysages ne visaient pas une restitution réaliste de la nature, ils visaient plutôt la représentation d’une réalité idéalisée obtenue par la composition et l’organisation d’éléments naturels. Il faudra attendre le XVIIIe siècle pour que la notion de « paysage » soit utilisée pour décrire la réalité physique, en faisant appel à des concepts provenant de la peinture de paysages. L’architecture paysagiste peut alors être comprise comme la conséquence logique de la peinture de paysage. Elle partage son objectif d’inventer de nouvelles façons d’organiser le monde. Et tandis qu’un tableau dépeint une réalité idéalisée « in visu », l’architecture paysagiste transforme la réalité « in situ ».En tant qu’architecte paysagiste, j’essaie d’imaginer de nouvelles façons d’agencer le territoire qui puissent profiter à toutes les formes de vie. Chaque projet donne lieu à l’invention d’un monde nouveau. La relation avec la science et l’art est cruciale dans ce processus de création. Ensemble avec ma partenaire Éliane Le Roux, qui occupe depuis douze ans la fonction de directrice artistique au sein de mon studio, nous avons créé un univers de références dans lequel nous puisons pour concevoir de nouveaux paysages. En tant que curateur invité de TLmag, j’ai souhaité que ce numéro représente cet univers particulier afin de révéler la capacité du paysage à soutenir l’émergence d’un monde nouveau. Nous avons invité trois philosophes afin qu’ils nous exposent leur point de vue sur le paysage : Alain Roger, François Jullien et Emanuele Coccia. Je me suis entretenu avec Piet Oudolf. Quatre photographes nous présentent différents types de nature : les forêts humides du nord-ouest du Pacif ique de Yoshihiko Ueda, les photographies de la forêt amazonienne de Sebastião Salgado, le pergélisol de Walter Niedermayr et nos paysages belges façonnés par l’homme saisis par l’oeil de Michiel de Cleene. Katrien Lichtert aborde la question de l’invention de la peinture de paysage dans les Pays-Bas historiques, tandis qu’Andrea Wulf écrit sur l’invention de la nature décrite par Alexander von Humboldt. Joelle Zask écrit sur le phénomène récent des mégafeux, et Kathelin Gray nous ramène à l’époque du laboratoire de Biosphère 2 et de ses possibilités de recherches sur le changement climatique. Nous avons également recueilli les contributions de Rei Naito, pour qui le paysage est une scène de vie sur terre, de Roni Horn, Thierry De Cordier, Etel Adnan, Lee Ufan et Rebeca Méndez, qui interagissent avec le paysage sur lequel ils travaillent. Ces contributions, et bien d’autres dans ce numéro, donnent lieu à la création d’un univers d’interdépendances qui explore les possibilités concernant l’état actuel de notre planète, mais aussi son devenir. Tout est paysage.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAll Is Landscape\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom unprecedented f looding to megafires, we have started to experience in real time, and with increasing regularity, the consequences of a 1° increase in global warming. According to the Intergovernmental Panel on Climate Change, the next ten years will be crucial to limit this increase to 1.5°. The only way to achieve this is by radically rethinking the way we inhabit this planet. It is my belief that the notion of ‘landscape’ will be essential in imagining new ways of organising our existence in this world. Landscape has always been about establishing a relationship with the physical reality, about organising the cohabitation of living organisms. Landscape is firstly a way of seeing the world, and secondly a way of reorganising it. The word was invented in the 16th century to name a new genre in painting. The first landscape painters did not aim at a truthful rendering of nature, but rather at depicting an idealised reality through the composition and organisation of natural elements. It was not until the 18th century that the notion of ‘landscape’ was used to describe the physical reality, using concepts derived from landscape painting. Landscape architecture can thus be understood as the logical consequence of landscape painting. It shares its aim to invent new ways of seeing and organising the world. Whereas a painting shows the possibility of an idealised reality, landscape architecture actually transforms the reality on site. The research into the relationship between landscape architecture and art recounts the history of the perception of the world, from an idealised depiction to an on-site transformation of it. As a landscape architect, I try to imagine new ways of transforming the land which will be beneficial to all life forms. Every project invents a whole new world. The relationship with science and art is crucial in this invention. Together with my partner Eliane Le Roux, who has been the artistic director of my office for the last 12 years, we have created a universe of references from which we conceive these new landscapes. As the guest curator of TLmag, I wanted to invite some protagonists of that universe to be a part of this issue. Together they show the possibility of landscape to invent a new world. In these pages, three philosophers speak about landscape from their point of view: Alain Roger explains the processes that transform nature into landscape; François Jullien writes about the invention of landscape in China as a f ield of tension; and Emanuele Coccia defines a landscape as a relationship with all the subjects of nature. In an interview with landscape designer Piet Oudolf we speak about the importance of plants and the way they should be planted. Four photographers reveal different landscapes: From the wet forests of the Pacific Northwest pictured by Yoshihiko Ueda to the Amazon rainforest by Sebastião Salgado, to the permafrost series by Walter Niedermayr and finally our man-made Belgian landscapes captured by Michiel De Cleene. Katrien Lichtert speaks about the invention of landscape paintings in the Low Countries, while Andrea Wulf writes about the invention of nature by Alexander von Humboldt. Joelle Zask writes about the recent phenomenon of megafires, and Kathelin Gray brings us back to the incredible laboratory of Biosphere 2 and its unexploited possibilities to conduct climate change research. There are contributions by the Japanese artist Rei Naito, who imagines a landscape as a scene of life upon earth, by Roni Horn, Lee Ufan, and Rebeca Méndez who all interact directly with the landscapes they work in. These contributions, and many more to be discovered in this issue, create an interrelated universe that explores the possibilities of what our planet is, and more importantly what it could become. All is landscape.\u003cbr data-mce-fragment=\"1\"\u003e- Bas Smets, Guest Editor \u0026amp; Landscape Architect BBS \u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":42525079568617,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/tl36_rotation_covers-1152x1536.gif?v=1644316020"},{"product_id":"the-skirt-chronicles-issue-ix","title":"The Skirt Chronicles - Issue IX","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eLancement\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e26 février 2022\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e16h - 18h\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaunch\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFebruary 26, 2022\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e4PM - 6PM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eThree Trilogies\u003cbr\u003e\u003cbr\u003eThe first three Volumes of The Skirt Chronicles were made in total discovery, everything was new, each day learning more and more about what we were embarking upon. Then, Volumes IV, V, and VI were so fun to make, taking everyone by surprise—we were there. The following three were made sometimes remotely, yet never disconnected, at a time that challenged the world.\u003cbr\u003e\u003cbr\u003eWe all have our favorites, and we’re quite sure you do too. Maybe it will be this one, Volume IX, as you’re playing table tennis in a galaxy far, far away. Or are you waiting for Mira, Toyin, and Edmund to finish their conversation with Maurice Blanchot in Tbilisi. Perhaps you prefer balancing loads and Joséphine in Bloomsbury by a spikey tree heavy with fruit stones. 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Thinking of all skin tones, Lemaire developed a signature dialed-down color palette and understated aesthetic for his practical garments made of innovative materials. These silhouettes are manifested in the brand’s staples—namely, the dry silk shirts and the asymmetrical Twisted Dress with button detailing. When Sarah-Linh Tran joined at the helm in 2010 as co-creative director, Lemaire entered a renaissance. Today, the Lemaire brand has a wider reach than ever, transcending genre, gender, and age with a leather goods line, jewelry offerings, and collaboration with Japanese lifewear brand Uniqlo.\u003c\/p\u003e\n\u003cp\u003eContents\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eINTRO\u003c\/li\u003e\n\u003cli\u003eEDITOR’S LETTER\u003c\/li\u003e\n\u003cli\u003ePERSONAL ARCHIVES\u003cbr\u003eHints of Christophe Lemaire and Sarah- Linh Tran’s creativity found in their work spaces\u003c\/li\u003e\n\u003cli\u003eIN MARAIS\u003cbr\u003eThe Lemaire headquarters blends into the Marais, a historic district in Paris\u003c\/li\u003e\n\u003cli\u003eSMALL TALK\u003cbr\u003ePeople at Lemaire affirm their personal beliefs about clothing and the brand’s unwavering trajectory\u003c\/li\u003e\n\u003cli\u003eINTERVIEW: CHRISTOPHE LEMAIRE \u0026amp; SARAH-LINH TRAN\u003cbr\u003eCo-creative directors of Lemaire\u003c\/li\u003e\n\u003cli\u003eON-SITE WORKSHOP\u003cbr\u003eLemaire’s in-house atelier materializes the brand’s design universe\u003c\/li\u003e\n\u003cli\u003eLEMAIRE WARDROBE\u003cbr\u003eLemaire’s iconic style imbues the brand’s shirts, jackets, overcoats, and other essential items\u003c\/li\u003e\n\u003cli\u003eUNDERSTATEMENT\u003cbr\u003eDelicate design language expressed through colors, materials, silhouettes, and other details\u003c\/li\u003e\n\u003cli\u003eOPINION: ANJA ARONOWSKY CRONBERG\u003cbr\u003eFashion journalist Anja Aronowsky Cronberg attests that Lemaire provides physical and mental comfort through its clothes\u003c\/li\u003e\n\u003cli\u003eDEFINITE\u003cbr\u003eThe unique perspectives of Lemaire brand fans who refuse to compare themselves with others\u003c\/li\u003e\n\u003cli\u003eAT THE BOUTIQUE\u003cbr\u003eLemaire boutiques reflect the brand’s comfortable and calm mood\u003c\/li\u003e\n\u003cli\u003eCRAFT PARTNERS\u003cbr\u003eThe brand expands its aesthetic domain through ingenious partnerships with artisans and artists\u003c\/li\u003e\n\u003cli\u003eOPINION: SONYA DYAKOVA\u003cbr\u003eGraphic designer Sonya Dyakova says that the allure of Lemaire is that it has created its own narrative by incorporating cultural elements in fashion\u003c\/li\u003e\n\u003cli\u003eIN THE COLLECTIONS\u003cbr\u003eImpressive Lemaire collections created in collaboration with outside creators\u003c\/li\u003e\n\u003cli\u003eINDIVIDUALS\u003cbr\u003eStrong personalities who have appeared on Lemaire runways\u003c\/li\u003e\n\u003cli\u003eESSAYS\u003cbr\u003eThoughts on the charms of Lemaire as everyday wear that is anything but mundane\u003c\/li\u003e\n\u003cli\u003eAN OPTICAL POEM\u003cbr\u003eLemaire’s color palette reflects light, shadow, and nature’\u003c\/li\u003e\n\u003cli\u003eBRAND STORY\u003cbr\u003eHow Lemaire grew while concentrating on creating styles rather than fashion\u003c\/li\u003e\n\u003cli\u003eINSPIRATIONS\u003cbr data-mce-fragment=\"1\"\u003eMusic, films, books, and architecture that inspire the Lemaire designer duo\u003c\/li\u003e\n\u003cli\u003eOUTRO\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMagazine B is an ad-less monthly publication that introduces one well-balanced brand unearthed from around the globe in each issue. 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In June 2013, TOILETPAPER images have featured on Palais de Tokyo’s front windows and a special edition of Libération.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by Maurizio Cattelan and Pierpaolo Ferrari.\u003cbr\u003ePublished by Deste Foundation, Athens.\u003cbr\u003ePublished in July 2010\u003cbr\u003eno text\u003cbr\u003e22,5 x 29 cm (softcover)\u003cbr\u003e44 pages (25 color ill.)\u003c\/p\u003e\n\u003cp\u003e© Toilet Paper\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Nun","offer_id":43009975320809,"sku":null,"price":1500.0,"currency_code":"EUR","in_stock":true},{"title":"Eye","offer_id":43009975353577,"sku":null,"price":1500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/tp-1-special-edition.jpg?v=1651222608"},{"product_id":"lidiot-utile-issue-0","title":"l'idiot utile - Issue 0","description":"\u003cp\u003el’idiot utile is a journal interested in clothing and images, their jobs, their economy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eContributors:\u003cbr data-mce-fragment=\"1\"\u003eAdeline André, Hugo Baud, Tommy Capiaux, Pauline Croce, Elisa Dupland, Daniela Eschbacher, Susan Fang, Cécile Feilchenfeldt, Claire Fontaine, Diane Gaignoux, Julia Heuer, Kay Jun, Amy Lawrence, Mariel Manuel, Pascal Paché, Fabienne Radi, Marco Ribeiro, Hideomi Sakaguchi, Jamie-Maree Shipton, Julian Sinclair, Wataru Tominaga, Vénus\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArt direction, all photos by Hubert Crabières\u003cbr data-mce-fragment=\"1\"\u003eEditorial director: Alexis Etienne\u003cbr data-mce-fragment=\"1\"\u003eFashion director: Josiane Martinho\u003cbr data-mce-fragment=\"1\"\u003eGraphic design: Hezin O\u003cbr data-mce-fragment=\"1\"\u003eProduction: Raphaël Julier\u003cbr data-mce-fragment=\"1\"\u003eProduction \/ proofreading: Leyre Ortega\u003cbr data-mce-fragment=\"1\"\u003ePrinted and binding: Jan De Meester (Cultura, Wetteren)\u003c\/p\u003e\n\u003cp\u003e24.5 x 32 cm\u003cbr data-mce-fragment=\"1\"\u003e195 pages\u003cbr data-mce-fragment=\"1\"\u003eLanguages: all in English + French and Korean texts.\u003cbr data-mce-fragment=\"1\"\u003e500 ex.\u003cbr data-mce-fragment=\"1\"\u003ePrinted by Cultura (Wetteren, Belgium)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePublished by ces éditions and LeMégot éditions\u003cbr data-mce-fragment=\"1\"\u003eJuly 2022\u003c\/p\u003e\n\u003cp\u003e© l'idiot utile\u003cbr\u003e© ces éditions\u003cbr\u003e© LeMégot éditions\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":43541158527209,"sku":"","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/1_cover_DSF1076copie_599809e7-2268-44fb-8491-c5c6f2037136.jpg?v=1660914856"},{"product_id":"other-scenes-n-1","title":"Other Scenes - N°1","description":"\u003cp\u003e\u003cstrong\u003eLancement\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e13 septembre 2022\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e18h - 20h\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaunching\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSeptember 13, 2022\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e6 PM - 8 PM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e* Malheureusement, nous ne sommes pas en mesure de garantir une couverture spécifique au moment de la commande. Merci de votre compréhension.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e* Unfortunately, we are not able to guarantee a specific cover at time of order. Thank you for your understanding.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOther Scenes magazine is dedicated to contemporary living with a transversal approach and a twist of eccentricity developed by outstanding photographers and crafted with a distinctive visual aesthetic sense.\u003c\/p\u003e\n\u003cp\u003eContributors: \u003cbr\u003eTina Barney\u003cbr\u003eBenjamin Bouchet\u003cbr\u003eThérèse Verrat \u0026amp; Vincent Toussaint about\u003cbr\u003eJean-Marie Binet\u003cbr\u003eCrista Leonard\u003cbr\u003eSuperstudio\u003cbr\u003eSuffo Moncloa\u003cbr\u003eDan Tobin Smith\u003cbr\u003eJean-Marie Binet\u003cbr\u003eZaachary Handley\u003cbr\u003eDominique Nabokov\u003cbr\u003eClaude Viallat \/ François Halard\u003cbr\u003eYvonne Dröge-Wendel\u003cbr\u003ePriscillia Saada\u003cbr\u003eJoan Braun\u003c\/p\u003e\n\u003cp\u003e32 x 24 cm\u003cbr\u003e201 pages\u003c\/p\u003e\n\u003cp\u003e© Other Scenes Magazine\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":43653066064105,"sku":"","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/306951993_653215579275640_7186963730108063377_n.jpg?v=1663071408"},{"product_id":"in-corpore-sano-issue-4","title":"In Corpore Sano - Issue 4","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003eIssue 4\u003cbr\u003eThe Nature Magazine\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIndex:\u003cbr data-mce-fragment=\"1\"\u003eEARCTIC – by Emporio Armani\u003cbr data-mce-fragment=\"1\"\u003eStill On: Visiting On Labs with Nicolas Martin \u003cbr data-mce-fragment=\"1\"\u003eTrip – by Boramy Viguier\u003cbr data-mce-fragment=\"1\"\u003eBianca Bondi\u003cbr data-mce-fragment=\"1\"\u003eThe Invention of Nature\u003cbr data-mce-fragment=\"1\"\u003eInvisible Innovation\u003cbr data-mce-fragment=\"1\"\u003eNatural Organics\u003cbr data-mce-fragment=\"1\"\u003eWalking \u0026amp; Wandering with Silas Adler\u003cbr data-mce-fragment=\"1\"\u003eNoémie Goudal\u003cbr data-mce-fragment=\"1\"\u003eFast Forward\u003cbr data-mce-fragment=\"1\"\u003eSilence\u003cbr data-mce-fragment=\"1\"\u003eBooks of Nature: If I Can Dream\u003cbr data-mce-fragment=\"1\"\u003eMushrooms\u003cbr data-mce-fragment=\"1\"\u003e“We Are Normal People”: A Conversation with Kilian Jornet\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2022\u003cbr\u003e192 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e24,6 x 32,8 x 1,5 cm\u003c\/span\u003e\u003cbr\u003eEnglish\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn Corpore Sano is a Paris-based annual magazine dedicated to contemporary wellness culture. \u003cbr data-mce-fragment=\"1\"\u003eThe publication explores the realm behind the saying “a healthy mind in a healthy body” and each issue focuses on a different aspect of well-being.\u003cbr\u003e\u003ca href=\"https:\/\/www.instagram.com\/in.corpore.sano\/\" target=\"_blank\"\u003e@in.corpore.sano\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e© In Corpore Sano\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"EARCTIC","offer_id":44118139994345,"sku":"","price":36.0,"currency_code":"EUR","in_stock":false},{"title":"Fast Forward","offer_id":44118140027113,"sku":"","price":36.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/ICS4-Cover_01-EARCTIC.jpg?v=1670940744"},{"product_id":"soft-copy-004","title":"Soft Copy 004","description":"\u003cp\u003eContributing Artists:\u003cbr\u003eKatsu Naito\u003cbr\u003eJenia Fridlyand\u003cbr\u003eCostanza Santilli\u003cbr\u003eEugenie Shinkle\u003cbr\u003eTealia Ellis Ritter\u003cbr\u003eMassimo Sordi\u003c\/p\u003e\n\u003cp\u003e40 Pages\u003cbr\u003e29cm x 38cm\u003cbr\u003eDuotone printed \u003cbr\u003e150gsm Munken Lynx Paper\u003cbr\u003eÉcolier Thread Bound\u003cbr\u003eUnprinted Vellum Jacket 200 gms\u003cbr\u003eA4 Insert\u003c\/p\u003e\n\u003cp\u003eFirst Edition of 300\u003cbr\u003e978-0-578-29904-4\u003cbr\u003e\u003cbr\u003ePublished in 2022\u003c\/p\u003e\n\u003cp\u003e© Soft Copy\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":44126666326249,"sku":"","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/SOFT_COPY_004_00.webp?v=1671029451"},{"product_id":"study-volume-02-11-22-on-adrienne-kennedy","title":"Study - VOLUME 02 - 11.22 - On Adrienne Kennedy","description":"\u003cp\u003eOur second volume is dedicated to playwright Adrienne Kennedy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 2016, Signature Theater celebrated their 25th anniversary and there, for the first time, editor-in-chief Christopher Niquet got to see the words of Adrienne Kennedy take shape on the stage. He went back, and back again, the initial shock remaining after each performances. The nuances of her language unfolding and expending.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom essays, to poems, portraits or art portfolios as well as our first fashion spread this second volume aims to create a rounded portrait of a beloved American literary figure that has been active since the 1960s and whose work has inspired a number of major intellectuals and visuals artists alike. A long interview has been conducted by editor-in-chief Christopher Niquet, Mrs Kennedy herself has written a piece on America in 2022, and multiple collaborators like writers Joan Juliet Buck and Edwidge Danticat, artists Lynette Yiadom-Boakye and Eric N. Mack as well as photographer Bruce Weber have contributed to our pages to create a volume that is highly visual as well as rich in texts. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith this second volume of Study we wanted to share with you the incredibly deep and layered world of this groundbreaking thinker. Adrienne Kennedy’s work has over the past six decades been highly influential to many and her grand debut on Broadway this fall at the age of 91 with her play The Ohio State Murders is bound to reach and touch many more. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eContributors : Lyna V. Ahanda, Joan Juliet Buck, Edwidge Danticat, Melvin Edwards, Yusuf Hassan, Adrienne Kennedy, Canaan Kennedy, Eric N. 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The ellipse in the sentence—representing a pause, or suggesting there's something left unsaid—may well serve as the necessary space kept empty so that the desire to gather can find its way through the new emerging world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe longing to be together takes a variety of forms, as stated by thinker and author SASKIA SASSEN: “The simplest and, to me, most attractive way, both simple and attractive, is to say that togetherness comes in many different shapes and molds.” In its simplicity, this concept conjures up an idea of solidarity and unity as a vital need, rather than an ideological choice. 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