{"title":"Objets trouvés","description":"\u003cp\u003eFor this holiday season, we have curated a unique selection of artworks, objects and books that celebrate everyday life and reveal the artistic potential of the objects that surround us.\u003c\/p\u003e\n\u003cp\u003eThis presentation features pieces by Philippe Weisbecker, Nigel Peake, Luca Resta, David Horvitz, Daniel Gustav Cramer, Anna Paul, Claude Closky, Elsa Werth, Pierre Charpin, Jeanne Tresvaux du Fraval, My-Lan Hoang-Thuy, Jean-Charles Blais, Aona Hayashi, Saskia de Brauw, Romain Laprade, Isabell Heimerdinger, Anna Paul, Mathieu Steinberg and Nathalie du Pasquier. You will also discover works by Tsuyoshi Yazawa, Kenji Ide, Riko Kinoshita, Masanao Hirayama, Yu Yoshida, as well as Enzo Mari, Bruno Munari, and a Joseph Beuys plaque and more.\u003c\/p\u003e\n\u003cp\u003eThe selection is completed by a specialized book collection and authentic found objects: children's drawings, anonymous photos, and secondhand books.\u003c\/p\u003e","products":[{"product_id":"enzo-mari-autoprogettazione","title":"Enzo Mari - Autoprogettazione?","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt is not easy to translate into English the Italian word \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eautoprogettazione\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Literally it means auto = self and progettazione = design. But the term ‘self-design’ is misleading since the word ‘design’ to the general public now signifies a series of superficially decorative objects. By the word \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eautoprogettazione\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEnzo Mari\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003emeans an exercise to be carried out individually to improve one’s personal understanding of the sincerity behind the project. To make this possible you are guided through an archetypal and very simple technique. Therefore the end product, although usable, is only important because of its educational value. \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA project for making easy-to-assemble furniture using rough boards and nails\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e. An elementary technique to teach anyone to look at present production with a critical eye. The first edition of the book was compiled by the Duchamp Centre and printe for the exhibition at the Galleria Milano in 1974.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eItalian and English\u003cbr\u003eSpiral binding\u003cbr\u003e64 pages\u003cbr\u003e23 x 16 cm\u003cbr\u003eFirst published in 2002\u003cbr\u003e12th reprint\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eISBN: 9788887942675\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e© Edizioni Corraini\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":36567010869404,"sku":"","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/mar_autoprogettazione-cover_1.jpg?v=1691153926"},{"product_id":"leonard-koren-wabi-sabi-pour-aller-plus-loin","title":"Leonard Koren - Wabi-sabi - pour aller plus loin","description":"\u003cp\u003eWabi-sabi : pour aller plus loin est le complément de Wabi-sabi à l’usage des artistes, designers, poètes \u0026amp; philosophes, le livre précurseur sur la beauté des choses imparfaites, impermanentes et incomplètes qui présentait une des sensibilités esthétiques spécifiques de la civilisation japonaise.\u003c\/p\u003e\n\u003cp\u003eL’ouvrage cherche à clarifier comment le wabi-sabi est apparu, notamment en lien avec la cérémonie du thé, et à mettre en lumière sa nature. Il traite\u003cbr data-mce-fragment=\"1\"\u003eégalement de la place du wabi-sabi dans le monde contemporain.\u003c\/p\u003e\n\u003cp\u003eTraduit de l'anglais (USA) par Laurent Strim\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eNombre de pages : 112\u003cbr data-mce-fragment=\"1\"\u003eFormat : 140 x 215\u003cbr data-mce-fragment=\"1\"\u003eDate de parution : juin 2018\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e© Éditions Sully\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":36629253750940,"sku":"","price":16.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/koren-wabisabi-plusloin.png?v=1603799414"},{"product_id":"philippe-weisbecker-porte-chaussette-2016","title":"Philippe Weisbecker \u003cbr\u003e\u003cem\u003ePorte chaussette\u003c\/em\u003e, 2016","description":"\u003cp\u003ePhilippe Weisbecker approaches the sock holder here as a pure \"found object\". He does not seek to invent a form, but to take what already exists in the domestic or industrial world.\u003c\/p\u003e\n\u003cp\u003eRemoved from its utilitarian context, the object is isolated on the page like an inventory item. Weisbecker appropriates this anonymous, manufactured utensil to highlight its simple logic. The drawing acts here as an observation: that of the visual singularity of ordinary things once placed on paper.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack gouache on paper \u003cbr\u003e29,5 x 40 cm \u003cbr\u003eSigned on the back\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e© Philippe Weisbecker\u003c\/span\u003e\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":39452837281948,"sku":"","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/PW_BW14.jpg?v=1616083261"},{"product_id":"david-horvitz-time-signal","title":"David Horvitz - Time Signal","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/shop.yvon-lambert.com\/blogs\/exhibitions\/david-horvitz-time-signal\"\u003eExhibition from May 22 to June 20, 2021\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Time Signal” is an exhibition by David Horvitz which takes place at Yvon Lambert from May 22nd to June 20th 2021.\u003c\/p\u003e\n\u003cp\u003eThe exhibition features 1440 handwritten postcards, measuring 15.24 x 22.86 cm, sent by David from the U.S. to Yvon Lambert in Paris.\u003c\/p\u003e\n\u003cp\u003eThe artist wrote each minute of the day transcribing what it said on his phone’s clock. The cards were sent without an envelope from the U.S. to Paris. They are hung on the gallery’s walls when received. They are available for sale at the unit price of 100€ and are accompanied by a\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ecertificate of authenticity.\u003c\/p\u003e\n\u003cp\u003eThe purchase is only possible at the actual time written on the card. The purchase of several cards is possible and will correspond to the time spent with Yvon Lambert, the dealer.\u003c\/p\u003e\n\u003cp\u003eThe cards corresponding to the gallery’s closing days and hours will be available only online on the gallery’s webshop. The purchase is limited to one card per order, the time of the order confirmation in Paris time will determine the minute purchased. In the case that this minute is no longer available, the order will be refunded. In the case that the card did not arrive yet, the gallery will wait until the end of the exhibition and refund the order if it doesn’t arrive by then.\u003c\/p\u003e\n\u003cp\u003eHandwritten postcard\u003cbr\u003e14,5 x 22 cm\u003cbr\u003eUnique work accompanied by a certificate\u003c\/p\u003e\n\u003cp\u003e© David Horvitz\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":39939962601628,"sku":"","price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/01-59_4.jpg?v=1621592318"},{"product_id":"soetsu-yanagi-the-beauty-of-everyday-things","title":"Soetsu Yanagi - The Beauty of Everyday Things","description":"\u003cp\u003eThe daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly fulfilling utilitarian needs. They should, in short, be things of beauty.\u003cbr\u003e\u003cbr\u003eIn an age of feeble and ugly machine-made things, these essays call for us to deepen and transform our relationship with the objects that surround us. Inspired by the work of the simple, humble craftsmen Yanagi encountered during his lifelong travels through Japan and Korea, they are an earnest defence of modest, honest, handcrafted things - from traditional teacups to jars to cloth and paper. Objects like these exemplify the enduring appeal of simplicity and function: the beauty of everyday things.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTranslated by Michael Brase\u003c\/p\u003e\n\u003cp\u003e2019\u003cbr\u003eEnglish\u003cbr\u003e352 pages\u003cbr\u003e180 x 26 x 110 mm\u003cbr\u003eISBN: 9780241366356\u003c\/p\u003e\n\u003cp\u003e© Penguin\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":47265556758876,"sku":null,"price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/71EgPNukQUL._SL1500.jpg?v=1699018947"},{"product_id":"arranging-things-a-rhetoric-of-object-placement","title":"Leonard Koren - Arranging Things: A Rhetoric of Object Placement","description":"\u003cp\u003e‘Most arrangements are little noticed, yet some stop you in your tracks’. Originally published in 2003, Leonard Koren’s highly sought-after \u003cem\u003eArranging Things: A Rhetoric of Object Placement\u003c\/em\u003e utilises the language of rhetoric to portray visual arrangement as a ‘communicational act: its own language-like form of aesthetic expression’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKoren’s insightful meditation is further distilled into eight rhetorical principles presented alongside 23 idiosyncratic paintings by artist Nathalie Du Pasquier which illustrate the volume. With a welcoming tone, \u003cem\u003eArranging Things\u003c\/em\u003e offers an accessible strategy which can be used to analyse any arrangement.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBack by popular demand, this new edition of \u003cem\u003eArranging Things\u003c\/em\u003e presents Du Pasquier’s artistic works in a generous format in celebration of Koren’s visual journey through the heart of design philosophy. \u003cem\u003eArranging Things\u003c\/em\u003e is not merely a popular book on design; it is a landmark text, a practical manifesto of aesthetic beauty, one for brightening and broadening the way we understand and arrange our worlds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePublished by Apartamento Publishing S.L.\u003cbr data-mce-fragment=\"1\"\u003eRelease date: April 3, 2024\u003cbr data-mce-fragment=\"1\"\u003eDimensions: 240 x 285mm\u003cbr data-mce-fragment=\"1\"\u003ePages: 80\u003cbr data-mce-fragment=\"1\"\u003eBinding: Hardcover\u003cbr data-mce-fragment=\"1\"\u003eISBN: 978-84-09-55777-6\u003c\/p\u003e\n\u003cp\u003e© Apartamento\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":48044288737628,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/Captura-de-pantalla-2024-04-02-a-las-16.33.03.png?v=1713877307"},{"product_id":"rahel-zoller-last-pages","title":"Rahel Zoller - Last Pages","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDuring the Summer of 2022 Rahel Zoller tore out the last page of books she found on the streets of London, Zürich, Berlin, Paris, Stockholm and any town or city she happened to be in. Street libraries and recycling bins were her primary hunting ground and her collection of final pages forms a textual menagerie of chance, of last sentences, appendices, advertisements and indexes ordered numerically by page number in this artists’ book.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist: Rahel Zoller\u003cbr\u003eDesign: Rahel Zoller, Jan Steinbach\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2024-05-20\u003cbr\u003e1st edition\u003cbr\u003eEdition of 500\u003cbr\u003e200 pages, \u003cbr\u003e4 CMYK color, Offset\u003cbr\u003eSoftcover\u003cbr\u003e16 × 23.5 cm\u003cbr\u003eLast page teared out\u003cbr\u003eISBN 978-3-945900-99-4\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e© Edition Taube\u003c\/span\u003e\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":53500009415004,"sku":null,"price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/Edition-Taube---Rahel-Zoller---Last-Pages-W01_WIIItkG.jpg.0x1800_q85.jpg?v=1732271460"},{"product_id":"enzo-mari-calendario-bilancia","title":"Enzo Mari - Calendario Bilancia","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eEnzo Mari, 1959\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePerpetual Wall Calendar\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCalendario bilancia\u003c\/em\u003e is a wall calendar that underlines the passing of time thanks to the human intervention needed to methodically change the date each and every day. It consists of four horizontal strips of different woods printed with either the days of the week, the months or dates. These strips slide through a single central wooden pivot, which frames the date combination. The structure plays on the equilibrium of the thin wooden strips and turns the usual function of a set of scales on its head, turning it into a calendar.\u003c\/p\u003e\n\u003cp\u003eMaterial\u003cbr\u003eWoods: walnut, lime wood, beech, mahogany, rosewood\u003c\/p\u003e\n\u003cp\u003e© Danese Milano\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":53610630480220,"sku":null,"price":108.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/calendario_bilancia_calendariobilancia_001_397.jpg?v=1733930841"},{"product_id":"masanao-hirayama-玉-9812-2023","title":"Masanao Hirayama - 玉 (9812), 2023","description":"\u003cp\u003e21 x 29,7 cm\u003cbr\u003eAcrylic on paper\u003cbr\u003eUnique Work\u003cbr\u003eEntitled, dated, signed on the back\u003c\/p\u003e\n\u003cp\u003e© Masanao Hirayama\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":53961426043228,"sku":null,"price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/9812______23__cm21-29.7.jpg?v=1739378492"},{"product_id":"enzo-mari-25-facons-de-planter-un-clou","title":"Enzo Mari - 25 façons de planter un clou","description":"\u003cp\u003eAn autobiographical account and uncompromising meditation on the meaning of design, in the voice of the man who represented the ethical and political conscience of the discipline in the second half of the 20th century.\u003c\/p\u003e\n\u003cp\u003eEnzo Mari (1932-2020) was an Italian designer, graphic designer, illustrator and artist. His works range from design to painting, from graphics to gallery displays. He was both a teacher and a political activist. Today he is considered one of the greatest theorists of design.\u003c\/p\u003e\n\u003cp\u003eHis works have been featured at the Venice Biennale, the Milan Triennale, the Schloss Charlottenburg in Berlin, the MIC in Faenza, the Galleria Nazionale d'Arte Moderna in Rome and the MoMA in New York. He was awarded the Golden Compass in 1986, a form of acknowledgement he had already been given in 1967 and 1979, as well as the International Design Center Prize in 1987 in New York. In 2008, the GAM in Turin dedicated a retrospective solo show to his work. Among his more recent writings, we might note: Progetto e passione (2001), La valigia senza manico (2004) and 25 modi per piantare un chiodo (2011).\u003c\/p\u003e\n\u003cp\u003eEdited by Barbara Carnevali and Barbara Casavecchia.\u003cbr\u003eForeword by Barbara Carnevali, postface by Barbara Casavecchia.\u003c\/p\u003e\n\u003cp\u003eTranslated from the Italian by Grégory Marion (original title: 25 modi per piantare un chiodo, Mondadori, 2011).\u003c\/p\u003e\n\u003cp\u003eConception graphique : Lionel Catelan.\u003cbr\u003e \u003cbr\u003ePublished in October 2025\u003cbr\u003eFrench edition\u003cbr\u003eSoftcover\u003cbr\u003e12,5 x 19 cm\u003cbr\u003e232 pages (ill.)\u003cbr\u003eISBN : 978-2-37896-201-2\u003c\/p\u003e\n\u003cp\u003e© \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eLes presses du réel\u003c\/span\u003e\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":55732132086108,"sku":null,"price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/f_3c880fb1-229b-4522-b599-1fe271da2516.jpg?v=1760534128"},{"product_id":"anna-paul-correct-incorrect-correct-2025","title":"Anna Paul \u003cbr\u003e\u003cem\u003eCorrect\/\u003cs\u003eIncorrect\u003c\/s\u003e\u003c\/em\u003e, 2025","description":"\u003cp\u003eFrom the exhibition \u003ca rel=\"noopener\" href=\"https:\/\/www.yvon-lambert.com\/blogs\/vitrines\/vitrines-anna-paul-correct-incorrect\" target=\"_blank\"\u003e\u003cem\u003eCorrect\/Incorrect\u003c\/em\u003e\u003c\/a\u003e held at Yvon Lambert Bookshop's Vitrines from October 26, 2025\u003c\/p\u003e\n\u003cp\u003eUnframed\u003cbr\u003e60 x 40 cm\u003cbr\u003eSilicone drawing between two antirefelx glass sheets\u003cbr\u003eUnique work\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e© Anna Paul\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":55838016143708,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/Anna_Paul_-_Correct_Incorrect_1.jpg?v=1761728998"},{"product_id":"anna-paul-correct-incorrect-incorrect-2025","title":"Anna Paul \u003cbr\u003e\u003cem\u003e\u003cs\u003eCorrect\u003c\/s\u003e\/Incorrect\u003c\/em\u003e, 2025","description":"\u003cp\u003eFrom the exhibition \u003ca href=\"https:\/\/www.yvon-lambert.com\/blogs\/vitrines\/vitrines-anna-paul-correct-incorrect\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003eCorrect\/Incorrect\u003c\/em\u003e\u003c\/a\u003e held at Yvon Lambert Bookshop's Vitrines from October 26, 2025\u003c\/p\u003e\n\u003cp\u003eUnframed\u003cbr\u003e60 x 40 cm\u003cbr\u003eSilicone drawing between two antirefelx glass sheets\u003cbr\u003eUnique work\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e© Anna Paul\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":55838098456924,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/AnnaPaul-Correct_Incorrect_2.jpg?v=1761729081"},{"product_id":"luca-resta-monuments-comus-temple-blocks-10-2024","title":"Luca Resta \u003cbr\u003e\u003cem\u003eMONUMENTS \/\/ Comus temple blocks #10\u003c\/em\u003e, 2024","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFrom the exhibition \u003ca rel=\"noopener\" href=\"https:\/\/www.yvon-lambert.com\/blogs\/exhibitions\/luca-resta-allegoria-con-ortaggi-pollame-cesti-e-vasellame-allegory-with-greens-fowle-baskettes-and-vesselle\" target=\"_blank\"\u003e\u003cem\u003eALLEGORIA CON ORTAGGI, POLLAME, CESTI E VASELLAME \u003c\/em\u003e\u003c\/a\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.yvon-lambert.com\/blogs\/exhibitions\/luca-resta-allegoria-con-ortaggi-pollame-cesti-e-vasellame-allegory-with-greens-fowle-baskettes-and-vesselle\" target=\"_blank\"\u003e\u003cem\u003eAllegory with greens, fowle, baskettes and vesselle\u003c\/em\u003e\u003c\/a\u003e held at Yvon Lambert October 11 to November 17, 2024\u003c\/p\u003e\n\u003cp\u003e23 x 15 x 11.5 cm \u003cbr\u003eWhite Carrara marble, pigments\u003cbr\u003eUnique work accompanied by a certificate of authenticity\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e© Luca Resta\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":55842545664348,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/LucaResta-Monuments-ComusTempleBlocks10.jpg?v=1761757836"},{"product_id":"erik-kessels-karel-de-mulder-man","title":"Erik Kessels \u0026 Karel De Mulder - MAN","description":"\u003cp\u003eA man flanked by an equal number of women on either side when photographed - placed exactly where he seems to prefer: right in the center. Is this manly act a matter of intent, instinct, or pure coincidence? And does this photographic composition belong to the past, or will it endure as long as one man and more women gather for a photograph?\u003c\/p\u003e\n\u003cp\u003e11 x 16 cm\u003cbr\u003e768 pages\u003cbr\u003e378 photographs\u003cbr\u003eSoft cover\u003cbr\u003eDust jacket\u003cbr\u003eISBN : 978-2-492175-63-3\u003c\/p\u003e\n\u003cp\u003e© RVB Books\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":55860045611356,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/MAN_BOOKCOVER_005_3024x_a4088869-1ce4-4c66-8b62-78770df60f41.webp?v=1761917199"},{"product_id":"masanao-hirayama-s-m-l-2025","title":"Masanao Hirayama \u003cbr\u003e\u003cem\u003eS \/ M \/ L\u003c\/em\u003e, 2025","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eS (10223)\u003c\/strong\u003e\u003cbr\u003e15 x 21 cm\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eM (10224)\u003c\/strong\u003e\u003cbr\u003e21 x 29.7 cm\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eL (10225)\u003c\/strong\u003e\u003cbr\u003e29.7 x 42 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUnframed\u003cbr\u003eSet of 3 paintings \u003cbr\u003eAcrylic on paper \u003cbr\u003eUnique work\u003cbr\u003eEntitled, dated, signed on the back\u003c\/p\u003e\n\u003cp\u003e© Masanao Hirayama\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":56012746654044,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/10223__S___25__cm15-21.jpg?v=1763555380"},{"product_id":"seulgi-lee-yama-mo-sato-mo-2023","title":"Seulgi Lee \u003cbr\u003e\u003cem\u003eYAMA MO SATO MO\u003c\/em\u003e, 2023","description":"\u003cp\u003ePresented in the bookshop's \u003ca rel=\"noopener\" href=\"https:\/\/www.yvon-lambert.com\/blogs\/vitrines\/vitrines-seulgi-lee-yama-mo-sato-mo\" target=\"_blank\"\u003eVitrines\u003c\/a\u003e from October 15, 2024\u003c\/p\u003e\n\u003cp\u003eYAMA MO SATO MO was made using the techniques of \u003cem\u003esudare\u003c\/em\u003e, the traditional Japanese blinds made of bamboo or other natural materials. \u003cem\u003eSudare\u003c\/em\u003e are not only used to filter light, but also to divide and create spaces. Made in collaboration with a Kyoto craftswoman, this edition assembles very thin bamboo slats with colored threads, in a composition that evokes the refrain of a famous Japanese folk song depicting the cherry blossom. Using the horizontal bamboo lines as a score, Seulgi Lee pursues with YAMA MO SATO MO her ongoing artistic research on language and “translation” – in this case, from the oral and the musical to the visual.\u003c\/p\u003e\n\u003cp\u003eSeulgi Lee was born in 1972 in Seoul. She currently lives in Paris.\u003c\/p\u003e\n\u003cp\u003eSince the mid-1990s, Seulgi Lee has been developing an essentially three-dimensional and performative body of work that maintains a dialogue with various forms of craftsmanship. Through collaborations with artisans in different parts of the world, she creates installations, sculptures and functional objects, often with minimal forms and vivid colors, whose fabrication process is nourished by her anthropological research, her interest in language, and her sense of humor. For example, Lee has developed a project with a cooperative of basket-weavers in a Mexican village that is home to a vernacular language spoken by only four people; she has produced a series of candles with a ancient candle factory in the south of France; she has worked with the last potter of the Moroccan Rif to continue the tradition of making pots with animal dung. Seulgi Lee is also particularly renowned for her work with “nubi,” the traditional Korean blankets for which she has designed motifs that refer to vernacular proverbs. This series has led to numerous collaborations, including with Hermes and Ikea.\u003c\/p\u003e\n\u003cp\u003eSeulgi Lee has exhibited in various international institutions and biennales, such as Palais de Tokyo (Paris, France), La Criée centre d’art contemporain (Rennes, France), Incheon Art Platform (Seoul, Korea), La Casa da Cerca (Almada, Portugal), Kadist Foundation (San Francisco, USA), and the Gwangju Biennale. She won the Korea Artist Prize in 2020.\u003c\/p\u003e\n\u003cp\u003eShe is represented by Galerie Jousse Entreprise, Paris and Galerie Hyundai, Seoul, Korea.\u003c\/p\u003e\n\u003cp\u003eBamboo \u003cem\u003esudare\u003c\/em\u003e with hand-dyed threads\u003cbr\u003e60 x 80 cm\u003cbr\u003eEdition of 16 copies numbered and signed by the artist on a certificate, plus 2 artist’s proofs\u003c\/p\u003e\n\u003cp\u003e© Keijiban\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":56020374094172,"sku":null,"price":790.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/01_1.jpg?v=1763641323"},{"product_id":"nathalie-du-pasquier-le-plateau-a-pattes-2001","title":"Nathalie Du Pasquier \u003cbr\u003e\u003cem\u003eLe plateau à pattes\u003c\/em\u003e, 2001","description":"\u003cp\u003e\u003cem\u003eFor several years, I painted still lifes. I arranged the objects to be depicted very precisely (see the book I made with Leonard Koren, \u003c\/em\u003eArranging Things\u003cem\u003e). The tray with legs dates from the period when I made that book, but for me it is new because, unlike all my other compositions, which were destroyed once the painting was finished, this composition was never depicted and was the first to be glued down, the following year for my work at CRAFT. I glued the ceramics onto wooden bases.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe other two compositions could be called details of my studio, because the objects in them are always arranged according to what I might call my \"installation\" mania!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e— Nathalie Du Pasquier\u003c\/p\u003e\n\u003cp\u003e21 x 27.5 x 16 cm \u003cbr\u003eVarious materials glued together \u003cbr\u003eUnique work signed and dated\u003c\/p\u003e\n\u003cp\u003e© Nathalie Du Pasquier\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":56029868753244,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/NDP-Leplateauapattes-3.jpg?v=1763726760"},{"product_id":"nathalie-du-pasquier-le-plateau-a-caillou-2025","title":"Nathalie Du Pasquier \u003cbr\u003e\u003cem\u003eLe plateau à caillou\u003c\/em\u003e, 2025","description":"\u003cp\u003e\u003cem\u003eFor several years, I painted still lifes. I arranged the objects to be depicted very precisely (see the book I made with Leonard Koren, \u003c\/em\u003eArranging Things\u003cem\u003e). The tray with legs dates from the period when I made that book, but for me it is new because, unlike all my other compositions, which were destroyed once the painting was finished, this composition was never depicted and was the first to be glued down, the following year for my work at CRAFT. I glued the ceramics onto wooden bases.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe other two compositions could be called details of my studio, because the objects in them are always arranged according to what I might call my \"installation\" mania!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e— Nathalie Du Pasquier\u003c\/p\u003e\n\u003cp\u003e16.5 x 30.5 x 3 cm\u003cbr\u003eRed lacquered board, small doily, pebble from Ré Island, plastic float \u003cbr\u003eUnique work, signed and dated\u003c\/p\u003e\n\u003cp\u003e© Nathalie Du Pasquier\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":56029988061532,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/NDP-Leplateauacaillou-2.jpg?v=1763728075"},{"product_id":"bruno-munari-cubo","title":"Bruno Munari - Cubo","description":"\u003cp\u003eBruno Munari's Cubo ashtray, designed in 1957 for Danese Milano, is much more than just an accessory: it is a classic piece of Italian design based on a concept of ingenuity and cleanliness.\u003c\/p\u003e\n\u003cp\u003eThe story of the Cubo is linked to Munari’s desire to reinvent the traditional ashtray, often seen as unattractive, messy, and malodorous. Its major innovation lies in concealing cigarette butts and ashes inside the object, in contrast with conventional open ashtrays. Munari aimed to make the object as visually clean and neat as possible. The design is minimalist and consists of two simple elements: an outer cubic shell, initially made of melamine, and an inner metal blade in anodized aluminum, inserted at a precise angle. The blade’s inclination creates a top slot that not only allows ashes and butts to fall inside but also extinguishes them by asphyxiation, while isolating heat and odors.\u003c\/p\u003e\n\u003cp\u003eThe Cubo illustrates the philosophy of Bruno Munari and Danese Milano: combining an essential, minimalist form with maximum functionality through a simple, intelligent solution.\u003c\/p\u003e\n\u003cp\u003eMunari (1907–1998) was known for his multidisciplinary approach, moving from art to industrial design and pedagogy, always experimenting with form and color.\u003c\/p\u003e\n\u003cp\u003eDespite its apparent simplicity, the Cubo was a breakthrough at the time, as the public was accustomed to traditional open ashtrays. 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(Pace Gallery, London \u0026amp; NYC, 2013-14); and The Ceramics of Wifredo Lam (Musée national des arts asiatiques – Guimet, Paris, 2022); or the book Matthew Lutz-Kinoy \u0026amp; Natsuko Uchino: Keramikos (Walther König, 2021).\u003c\/p\u003e\n\u003cp\u003eIn Craft, he offers an insightful, unconventional and generous reflection on the exchanges between arts, crafts, and design – questioning along the way arbitrary divisions between the head and the hand, practice and theory, craftsman and artist.\u003c\/p\u003e\n\u003cp\u003eDiscussing with fellow curator Véronique Bacchetta his own curatorial methods and meditating on the power of display, Trembley unfolds his research on Japanese folk art, as well as his collaborations with various artists.\u003c\/p\u003e\n\u003cp\u003eAs he comments on the groundbreaking approach of curators such as Georges Henri Rivière, Sōetsu Yanagi, or Lina Bo Bardi, and evokes landmarks in the history of exhibition making – from curiosity cabinets to world fairs, to ethnographic dioramas, window displays, and experiments by contemporary artists – Trembley argues against pre-established hierarchies, for a more complex approach to objects, cultures, and forms.\u003c\/p\u003e\n\u003cp\u003eWith a wide range of illustrations, exhibition photographs, pictures from the author’s library, and historical documents cogently organized in Norm’s book design, Craft further reads as a stimulating visual essay on the exhibition form. \u003c\/p\u003e\n\u003cp\u003eNicolas Trembley (b. 1965) is an art critic, exhibition curator, and contemporary art advisor who shares his time between Paris and Geneva. 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