{"title":"Painting","description":"\u003cp\u003eBooks - Painting\u003c\/p\u003e","products":[{"product_id":"niele-toroni-a-la-queue-leu-leu","title":"Niele Toroni \u003cbr\u003e\u003cem\u003eÀ la queue leu leu\u003c\/em\u003e","description":"\u003cp\u003eA key figure of Swiss conceptual and minimalist art, Niele Toroni defined his entire artistic practice around a rigorous, repetitive method: imprints of a No. 50 paintbrush applied at regular 30 cm intervals.\u003c\/p\u003e\n\u003cp\u003eTitled “À la queue leu leu”—literally “at the tail of the wolf” and meaning “in single file”—this edition features five original paint imprints executed by the artist in a leporello format. The copies across the edition are produced in four distinct colors: red, black, beige, and dark blue.\u003c\/p\u003e\n\u003cp\u003eThe text was set in Helvetica Neue type and screen printed by Atelier Éric Seydoux on 270 gsm Vélin BFK Rives paper. The complete work is housed in a custom slipcase crafted by Établissements Dermont-Duval.\u003c\/p\u003e\n\u003cp\u003eBook XIII.\u003cbr\u003ePublished in 2006\u003cbr\u003e26.4 x 35 x 2 cm (case)\u003cbr\u003eLimited edition of 150 copies, including 108 copies for sale, signed and numbered by the artist\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e© Yvon Lambert Editions\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":14991367405634,"sku":"","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/13__laqueueleuleu_DSF6711_linear_3.4_tranche.jpg?v=1649756025"},{"product_id":"mot-pour-mot-n2-artemisia","title":"Mot pour Mot N°2 : Artemisia","description":"\u003cp\u003e\u003cspan\u003eA “reinterpretation” of the famous painting by Artemisia Gentileschi (1593–1633), \u003cem\u003eJudith and Holofernes\u003c\/em\u003e, by contemporary artists and intellectuals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTexts and artistic proposals by: Roland Barthes, Daniel Buren, Sarah Charlesworth, Douglas Huebler, Jannis Kounellis, Joseph Kosuth, Joan La Barbara, Lea Lublin, Duane Michals, Giulio Paolini, Eve Sonneman, Cy Twombly, and Michelle Zaza.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003ePublished in 1979\u003cbr\u003eTrilingual edition (English \/ French \/ Italian)\u003cbr\u003e15 x 21 cm\u003cbr\u003eSoftcover\u003cbr\u003e152 pages (6 color \u0026amp; 27 b\/w ill., 1 folded page)\u003cbr\u003eISBN: 978-2-913893-21-4\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e© Yvon Lambert Editions\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":14991369961538,"sku":"","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/25548-5274caab621c49ad9554e257da8d31af.jpg?v=1553687573"},{"product_id":"daniel-dezeuze-comme-la-peinture-like-painting","title":"Mot pour Mot N°5 - Daniel Dezeuze - Like Painting","description":"\u003cp\u003eAn essay by Christian Prigent on Daniel Dezeuze.\u003c\/p\u003e\n\u003cp\u003eChristian Prigent (born 1945 in Saint-Brieuc, France, lives and works in Brittany) is the author of about forty publications of poetry, sound poetry, fiction, and of essays on literature and painting.\u003c\/p\u003e\n\u003cp\u003eText by Christian Prigent.\u003cbr\u003e \u003cbr\u003ePublished in 1983\u003cbr\u003eBilingual edition (English \/ French)\u003cbr\u003e15 x 21 cm\u003cbr\u003eSoftcover\u003cbr\u003e132 pages (7 color \u0026amp; 17 b\/w ill.)\u003cbr\u003eISBN : 978-2-913893-24-5\u003c\/p\u003e\n\u003cp\u003e© Yvon Lambert Editions\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":14991375990850,"sku":"","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/25548-44c1537d35d649cdb6297a3719623835.jpg?v=1553687629"},{"product_id":"nathalie-du-pasquier-dont-take-these-drawings-seriously","title":"Nathalie Du Pasquier - Don’t Take These Drawings Seriously","description":"\u003cp\u003eNathalie Du Pasquier started drawing as soon as she met her husband George Sowden in 1979 in Milan. She was introduced to the world of design and shortly after, in 1981, became a founding member of the iconic postmodern design movement Memphis. From 1981 to 1987 she didn’t stop drawing. Every day she would draw a whole new modern world, from very small items like jewelry to entire cities. This world only existed in her head but would eventually be developed into real pieces for the Memphis exhibitions.\u003cbr\u003e\u003cbr\u003eThis unique book is the first and definitive compilation of all the unpublished drawings from those years, which had been sitting in the drawers of Nathalie’s studio for over 30 years. Organized by the smallest objects to the biggest and divided into chapters, each with a text by Nathalie, it has been carefully edited and designed by Apartamento magazine’s co-founder Omar Sosa together with Nathalie Du Pasquier.\u003cbr\u003e\u003cbr\u003eDon’t Take These Drawings Seriously is an excellent reference for future generations and a welcome document of an important period in modern design.\u003c\/p\u003e\n\u003cp\u003eEnglish\u003cbr\u003e320 pages\u003cbr\u003e19.69 x 3.3 x 27.94 cm\u003cbr\u003eISBN  978-1576877548\u003c\/p\u003e\n\u003cp\u003e© powerHouse Books\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":14991377629250,"sku":"","price":90.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/61OiYZaIFqL._SL1200.jpg?v=1706696072"},{"product_id":"ann-ray-les-inacheves","title":"Ann Ray - Les Inachevés","description":"\u003cp\u003eSignature \u003cbr\u003emercredi 12 septembre 2018 de 18h à 20h\u003cbr\u003e\u003cbr\u003e\u003ci\u003eBook signing \u003c\/i\u003e\u003cbr\u003e\u003ci\u003eWednesday 12 September 2018, 6pm till 8pm\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eThis book is the ultimate portrait of Lee McQueen by Ann Ray, as the catalogue of the exhibition “Les inachevés” \/ “The unfinished” in Arles 2018.\u003cbr\u003e208p., 177 photographs. Published by ArtCinema. 21st of June 2018\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":14991401156674,"sku":"","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/25548-e89364b836a948e6865d02313ae38a28.jpg?v=1553687836"},{"product_id":"david-horvitz-touch-the-sky-with-your-eye","title":"David Horvitz - Touch the sky with your eye","description":"\u003cp\u003eAn ABC book of poetic actions to be realized as soon as possible. Touch the sky with your eye is a children’s artist book designed by American artist David Horvitz. In the form of a bilingual alphabet, it offers to the young audiences familiarity with 26 words and concepts in English and French. The publication is also an opportunity to develop for each letter a performative action to make a collection of poetic instruments. As part of the tradition of conceptual action books, David Horvitz proposes for Jean Boîte Éditions a long poem that will immerse adults in the children's imagination while allowing them to pay close attention to the nature that surrounds them. To play with the notion of stretching time or to move the immateriality of certain elements. From “In a forest find a tree as tall as you” to “write a poem to a mountain”, the ensemble is richly illustrated with 26 watercolors by David Horvitz, and translated into French by the artist Julien Bismuth. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eGraphic design by Joanna Starck\u003cbr\u003eFirst publication 2019\u003c\/p\u003e\n\u003cp\u003eEnglish and French\u003cbr\u003e195 mm x 265 mm\u003cbr\u003e64 pages\u003cbr\u003eISBN 978-2-36568-028-8\u003c\/p\u003e\n\u003cp\u003e© JBE Books\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":15027854999618,"sku":"","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/COUVERTURE_0045_TOUCHTHESKY_3900x3900_078a1510-4381-4d5b-bf94-7ec8674ba345_2500x2500_jpg.webp?v=1701858040"},{"product_id":"nathalie-du-pasquier-campo-di-marte","title":"Nathalie Du Pasquier - Campo di Marte","description":"\u003cp\u003eCampo di Marte was devised in March 2020, at a time when Nathalie Du Pasquier was not painting. After cutting out photos of paintings produced between the 1980s and 2020, the French artist then placed them in a sequence as if they were a series of typefaces, focusing solely on their formal qualities and the scope for interpretation offered by their assembly. What comes out is an enchanting game of nonsense, an everyday surrealism in which the images make up sentences of sorts, interwoven with various elements taken from the world of books: titles, poems or mere calculations – times when the artist was lost for words. Campo di Marte will also be the name of an exhibition, curated by Luca Lo Pinto, due to be held at the MACRO in Rome at the end of 2020. As Du Pasquier states: \"The book was supposed to come out at the same time as the exhibition opening. That won't be the case, but it doesn't matter as they really are two separate things. This paperback is not a catalogue at all: it's something you can browse through even while sitting on the underground.\"\u003c\/p\u003e\n\u003cp\u003eEnglish edition\u003cbr data-mce-fragment=\"1\"\u003e21 x 29,7 cm (softcover)\u003cbr data-mce-fragment=\"1\"\u003e144 pages (color ill.)\u003cbr data-mce-fragment=\"1\"\u003eISBN : 978-88-99385-828\u003c\/p\u003e\n\u003cp\u003e© Humboldt Books\u003cbr\u003e© Nathalie du Pasquier\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":36030926520476,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/c.jpg?v=1600253265"},{"product_id":"ines-longevial","title":"Inès Longevial","description":"\u003cp data-mce-fragment=\"1\"\u003eTextes : Anglais \u003cbr data-mce-fragment=\"1\"\u003e320 pages \u003cbr data-mce-fragment=\"1\"\u003e190mm x 255mm \u003cbr data-mce-fragment=\"1\"\u003ePoids : 1,3 kg \u003cbr data-mce-fragment=\"1\"\u003eCouverture cartonnée \u003cbr data-mce-fragment=\"1\"\u003eReliure bodonienne \u003cbr data-mce-fragment=\"1\"\u003eTranches colorées \u003cbr data-mce-fragment=\"1\"\u003eÉdité en Novembre 2020 par Inès Longevial\u003cbr\u003e Deuxième tirange en février 2021\u003cbr data-mce-fragment=\"1\"\u003eImprimé par Snel \u003cbr data-mce-fragment=\"1\"\u003eConception graphique par Fakepaper\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Ce livre, c’est un peu comme si je vous ouvrais ma boite secrète. 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J’espère vous donner de l’espoir et du réconfort à la lecture de ce livre.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e***\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLanguages : English \u003cbr data-mce-fragment=\"1\"\u003e320 pages \u003cbr data-mce-fragment=\"1\"\u003e7.48po x 10.04po \u003cbr data-mce-fragment=\"1\"\u003eWeight: 2.86 lbs \u003cbr data-mce-fragment=\"1\"\u003eHard cover \u003cbr data-mce-fragment=\"1\"\u003eBodonian binding \u003cbr data-mce-fragment=\"1\"\u003eColorful fore-edge \u003cbr data-mce-fragment=\"1\"\u003ePublished in November 2020 by Inès Longevial\u003cbr\u003e Second printing in Feburary 2021\u003cbr data-mce-fragment=\"1\"\u003ePrinted by Snel \u003cbr data-mce-fragment=\"1\"\u003eGraphic design by Fakepaper\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"This book is like opening my secret box. It contains a big part of my life and memories chronologically selected from the past two years. \u003cbr data-mce-fragment=\"1\"\u003eYou will navigate between dreams, travels, work, souvenirs, songs and surprises. \u003cbr data-mce-fragment=\"1\"\u003eI wish to bring you hope and comfort by reading it.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTexte et image \u003cspan data-mce-fragment=\"1\"\u003e© Inès Longevial\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":37111477338268,"sku":"","price":80.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/PXL_20210219_110212736.jpg?v=1613734375"},{"product_id":"niel-toroni-les-cahiers-de-la-collection-lambert","title":"Niele Toroni (Les Cahiers de la Collection Lambert)","description":"\u003cp\u003eCe quatrième Cahier de la Collection Lambert raconte la relation d’amitié qui lie les deux hommes depuis plus de cinquante ans, les projets réalisés ensemble, une passion commune pour la peinture, la littérature, l’engagement et la liberté. Surtout, il raconte l’amour infini d’Yvon Lambert pour un geste aussi radical que sensuel qui nous place au cœur de la peinture même, inlassablement.\u003c\/p\u003e\n\u003cp\u003eEn 1970, Yvon Lambert organise la première exposition personnelle de Niele Toroni dans une galerie. Suivront quinze expositions, organisées jusqu’en 2013 dans les différentes galeries d’Yvon Lambert.\u003c\/p\u003e\n\u003cp\u003eCoédition Collection Lambert \/ Actes Sud\u003cbr data-mce-fragment=\"1\"\u003eTexte de Stéphane Ibars, entretien avec Niele Toroni et Yvon Lambert\u003cbr data-mce-fragment=\"1\"\u003eGraphisme Actes Sud\u003cbr data-mce-fragment=\"1\"\u003eEdition bilingue français \/ anglais\u003cbr data-mce-fragment=\"1\"\u003e17 x 24 cm, 80 pages, 32 images\u003cbr data-mce-fragment=\"1\"\u003eParution en juin 2021\u003cbr data-mce-fragment=\"1\"\u003eISBN : 978-2-330-14732-7\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":40299218632860,"sku":"","price":19.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/66yE0fMOp2zFdKnOLxfFIEOUqUijUZdQVBB1e8lZAnJFckyIWjpp-g-cover-large.jpg?v=1625041929"},{"product_id":"sam-falls-plein-air-speical-edition","title":"Sam Falls - Plein Air (Special Edition)","description":"\u003cp\u003eThis book documents a year the artist spent outdoors making his large-scale pigment-on-canvas paintings in four separate locations around the world: Hartland, Vermont; Venice, California; Hudson, New York; and Sarvisalo, Finland. Nature has always been a principle theme in Falls’ work and the splendor and unpredictability with which the seasons change is transferred directly onto his canvas through the use of saturated pigments and the natural elements. The resulting paintings are lush, familiar silhouettes of ferns, flowers and the boughs of native trees. 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Chloe Wise’s artwork may inhabit this space. Her paintings, sculptures and film works are beautifully over the top. In her canvases filled with figures, or sculptures overwhelmed with drips and reflection, we witness an overflow of desire. Yet, at the same time, something absurd emerges in the banal. An everyday commodity slipping into a dramatic, super-sized group portrait. Beneath it all, Wise is exploring contemporary consumption, desire and politics. - Francesca Gavin\u003c\/p\u003e\n\u003cp\u003eTexts by Kristen Cochrane, José Carlos Diaz, Francesca Gavin, Loreta Lamargese; Interview with Alice Pfeiffer\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e28 x 22 cm - 11 1\/8 x 8 5\/8 inches\u003cbr data-mce-fragment=\"1\"\u003e432 pages\u003cbr data-mce-fragment=\"1\"\u003eVelvet hardcover\u003cbr data-mce-fragment=\"1\"\u003eEnglish\u003cbr data-mce-fragment=\"1\"\u003eEdition of 2500\u003cbr data-mce-fragment=\"1\"\u003eISBN: 978-2-930573-37-3\u003c\/p\u003e\n\u003cp\u003e© Almine Rech Editions\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":41105942839452,"sku":"","price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/products\/https_3A_2F_2Fhypebeast.com_2Fimage_2F2021_2F09_2Fchloe-wise-second-nature-almine-rech-art-book-1.jpg?v=1634720683"},{"product_id":"nathalie-du-pasquier-sempre-milanese-new-edition","title":"Nathalie Du Pasquier - Sempre Milanese (New Edition)","description":"\u003cp\u003eNathalie Du Pasquier s’installe à Milan en 1979 et devient l’un des membres fondateurs du groupe Memphis qui se forme autour d’Ettore Sottsass. Durant ces années, elle dessine de nombreux textiles, tapis, motifs, objets et meubles, et lorsque le groupe se dissout en 1987, elle redonne à la peinture une place centrale dans son travail. Quel que soit le support, design ou peinture, son travail reste fait d’assemblages qui échafaudent, sur toile, papier, textile ou en volume, des architectures de formes et de couleur. S’y mêlent dans une joyeuse liberté des natures mortes, des motifs électriques, des paysages domestiques et des jeux de construction, comme autant d’espaces visuels à explorer du regard.\u003c\/p\u003e\n\u003cp\u003eSempre Milanese est une balade au long de ce parcours atypique, dans une sélection de travaux datant du début des années 1980 à aujourd’hui. Cet ouvrage est une nouvelle édition, augmentée de 16 pages, de notre précédent livre Sempre Milanese paru en 2019.\u003cbr\u003e\u003cbr\u003e***\u003cbr\u003e\u003cbr\u003eNathalie Du Pasquier moves to Milan in 1979 and becomes one of the founding members of the Memphis Group that starts to form around Ettore Sottsass. During those years, she creates many textiles, rugs, patterns, objects and furniture, and when the group is dissolved in 1987, she gives back to painting a central place in her work. Whatever the medium — design, painting, textile or sculpture —, her work is born from an accumulation that constructs architectures of shapes and colors. Beautifully quiet still lifes, electric patterns, domestic landscapes and construction games are mixed in a joyous freedom, as a myriad of visual spaces to explore. Sempre Milanese is a walk along that singular course through a selection of works going from the early 80’s to nowadays. 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Ces éléments s'assemblent pour créer une extension de l'exposition elle-même, sous une forme qui traduit l'esprit de l'exposition : les pages deviennent des espaces d'exposition accueillant des associations et des combinaisons qui permettent une compréhension et une exploration plus approfondies du travail de Du Pasquier, et de son imagination au sens large. C'est un aperçu des possibilités offertes par son œuvre, qui peut être abordée, interprétée et vécue sous d'innombrables angles. C'est l'immensité et la variété mêmes de son œuvre et de ses inspirations qui rendent l'exploration de son travail – et par conséquent cette publication – non exhaustive.\u003c\/p\u003e\n\u003cp\u003ePublié à l'occasion de l'exposition de Nathalie Du Pasquier « Campo di Marte » au MACRO, Rome, en 2021 et au Mrac Occitanie, Sérignan, en 2022.\u003c\/p\u003e\n\u003cp\u003eDesigner, sculptrice et peintre, Nathalie du Pasquier (née à Bordeaux en 1957) fut l'une des femmes du groupe Memphis qui, au début des années 1980, su faire bouger, autour d'Ettore Sottssas, les lignes du bon goût et les frontières de la société de consommation. Installée depuis à Milan depuis 1979, Nathalie du Pasquier a par la suite repris une intense pratique d'atelier et entretenu des rapports de bon voisinage avec ces objets du quotidien qui ont fait sa fortune pendant l'ère Memphis, et bien après, dans ses toiles aux compositions minimales ou ses modules géométriques. Cette capacité à circuler entre les formes et les pratiques, jusqu'à la « redécouverte » récente de son travail dans le champ de la mode qui a fait appel à ses services au milieu des années 2000 pour redessiner des motifs post-Memphis, est sans doute ce qui caractérise le mieux cette artiste atypique née en 1957. Et explique sans doute pourquoi son travail, jusqu'à récemment encore, semblait voué à une certaine marginalité.\u003c\/p\u003e\n\u003cp\u003eAnglais\/Italien\u003cbr\u003e21 x 29,8 cm (broché)\u003cbr\u003e176 pages (160 ill. coul.)\u003cbr\u003eISBN : 978-3-95679-634-0\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eA hybrid monograph\/artist book of Nathalie Du Pasquier's work.\u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of Nathalie Du Pasquier's solo show at MACRO – Museum of Contemporary Art of Rome, this book navigates the space between an exhibition catalogue and the artist book with juxtapositions of photographs of Nathalie Du Pasquier' works, installation views of the show at MACRO, and extracts from texts by various writers and figures fundamental for her practice. These come together to create an extension of the exhibition itself, in a form that channels the spirit of the show: the pages become exhibition spaces embracing associations and combinations allowing for a deeper understanding and exploration of Du Pasquier's work, and her imagination at large. It is a glimpse into the possibilities offered by her oeuvre, which can be approached, interpreted, and experienced from countless perspectives. It is the very vastness and variety of her work, and her inspirations, that make the exploration of her work—and as a result this publication—non-exhaustive. This publication is part of an ongoing study of her work and documents her exhibition at MACRO, \"Campo di Marte,\" Du Pasquier's biggest show to date which brought together over one-hundred paintings, sculptures, drawings, prints, and cabins, from the early 1980s to present day.\u003c\/p\u003e\n\u003cp\u003eA famous designer and co-founder of the Memphis group in Milan in 1981, Nathalie Du Pasquier (born 1957 in Bordeaux, France, lives in Milan, Italy) accompanied the (post)modern adventure around designer Ettore Sottsass, with the creation of objects, fabrics, carpets, and furniture. In 1986, she started devoting herself exclusively to two- and three-dimensional painting. Memphis's radicalism and formal inventiveness measured solely in terms of a scathing and iconoclastic postmodernism erased a little too quickly the adventure's modern foundations. 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Known for his astutely observed and witty depictions of everyday life, his illustrations place expressive characters in relatable environments and act as a visual commentary on life. Organized in three sections – Personal, Collaboration, and Public – this fulsome book explores Jullien’s approach to art and covers his expansive career, from his earliest creative partnerships to his progression into painting, while also offering a first-hand look at his process with sketches and never-before-seen works. 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Philip Guston, one of the most influential artists of the twentieth century, spoke about art with unparalleled candour and commitment. 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Un lieu où ce nouvel être composé, comme nous, d’esprit et de matière, peut s’exprimer avec ses différentes physionomies, parmi ses objets magiques et ses espaces poétiques.\u003c\/p\u003e\n\u003cp\u003eOutre le livre, une collector box sera présentée : une boîte d’artiste en carton et tissu contenant 4 tirages photographiques (papier japonais en fibres naturelles, 30x24cm), numérotés et signés (édition limitée à 40 exemplaires). \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e© Francesco Patriarca\u003c\/p\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e\n\u003cstyle\u003e\u003c!--\n.tb_button {padding:1px;cursor:pointer;border-right: 1px solid #8b8b8b;border-left: 1px solid #FFF;border-bottom: 1px solid #fff;}.tb_button.hover {borer:2px outset #def; background-color: #f8f8f8 !important;}.ws_toolbar {z-index:100000} .ws_toolbar .ws_tb_btn {cursor:pointer;border:1px solid #555;padding:3px}   .tb_highlight{background-color:yellow} .tb_hide {visibility:hidden} .ws_toolbar img {padding:2px;margin:0px}\n--\u003e\u003c\/style\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":53861723832668,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/CLAYGHOST_cover.jpg?v=1738316128"},{"product_id":"yui-yaegashi-yui-yaegashi-2024-2009","title":"Yui Yaegashi - Yui Yaegashi. 2024 - 2009","description":"\u003cp\u003e\u003cem\u003eYui Yaegashi. 2024 - 2009\u003c\/em\u003e is the first monograph dedicated to the work of Tokyo-based painter Yui Yaegashi. 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Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi’s paintings from this period at David Zwirner, New York—which, according to The New York Times, represent “lucid perfection, at once cerebral and impassioned.” It marked the first major presentation of the artist’s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York.\u003c\/p\u003e\n\u003cp\u003eIn addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi’s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by Laura Mattioli. Contributions by John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. 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Featuring thirty-one drawings that have never before been shown publicly, the book is filled with searching self-portraits, likely sketched in a mirror as an act of self-reflection. (“No one has ever interested me quite as much as myself,” he once wrote.) Nearby pages feature images of Christ wearing a crown of thorns alongside strange still lifes: of a crucifix lying next to an empty ashtray, of a mushroom growing what looks like a corkscrew tail, and other of his visions.\u003c\/p\u003e\n\u003cp\u003eBorn in Brooklyn, New York, in 1933, Thek first gained attention in the 1960s. His pathbreaking installations, performances, and paintings addressed the body and mortality, which feel in hindsight hauntingly prescient of his death in 1988 at the age of fifty-four of AIDS.“I sometimes think that there is nothing but time,” he said, “that what you see and what you feel is what time looks like at that moment”—which may explain why his art remains so potent here in the present.\u003c\/p\u003e\n\u003cp\u003ePaul Thek (1933–1988) was an artist, sculptor, and one of the first artists to work on large scale environments. Although based in New York for most of his life, he spent a significant part of the 1970s in Europe, where he made theatrical installations in collaboration with other artists. He has been the subject of major exhibitions across the globe including at the ZKM | Center for Art and Media, Karlsruhe; the Sammlung Falckenberg, Hamburg; the Museo Nacional Centro de Arte Reina Sofia, Madrid; the Whitney Museum of American Art, New York; the Institute of Contemporary Art, Philadelphia; the Los Angeles County Museum of Art, and others. 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After cutting out photos of paintings produced between the 1980s and 2020, the French artist then placed them in a sequence as if they were a series of typefaces, focusing solely on their formal qualities and the scope for interpretation offered by their assembly. What comes out is an enchanting game of nonsense, an everyday surrealism in which the images make up sentences of sorts, interwoven with various elements taken from the world of books: titles, poems or mere calculations – times when the artist was lost for words. Campo di Marte will also be the name of an exhibition, curated by Luca Lo Pinto, due to be held at the MACRO in Rome at the end of 2020. As Du Pasquier states: \"The book was supposed to come out at the same time as the exhibition opening. That won't be the case, but it doesn't matter as they really are two separate things. This paperback is not a catalogue at all: it's something you can browse through even while sitting on the underground.\"\u003c\/p\u003e\n\u003cp\u003eNew expanded edition of the book published in 2020.\u003c\/p\u003e\n\u003cp\u003eA famous designer and co-founder of the Memphis group in Milan in 1981, Nathalie Du Pasquier (born 1957 in Bordeaux, France, lives in Milan, Italy) accompanied the (post)modern adventure around designer Ettore Sottsass, with the creation of objects, fabrics, carpets, and furniture. In 1986, she started devoting herself exclusively to two- and three-dimensional painting. Memphis's radicalism and formal inventiveness measured solely in terms of a scathing and iconoclastic postmodernism erased a little too quickly the adventure's modern foundations. Nathalie Du Pasquier's paintings are a perfect revelation of these connections: axonometric compositions applied to painting, the palette of muffled colors, objects, when they are present in the compositions, wink at the purism of a Corbusier or an Ozenfant. 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Published on the occasion of the artists solo exhibitions The Bleed, Part I at Hauser \u0026amp; Wirth, London, UK (2024) and The Bleed, Part 2, Hauser \u0026amp; Wirth, Los Angeles, US (2025).\u003c\/p\u003e\n\u003cp\u003e\"Comprising forty seven paintings created between 2017 – 2022, this inaugural monograph of Rouy’s work, published by Tarmac Press, brings together selected paintings from over ten bodies of work to survey his dynamic and signature use of the human figure, which, constrained and liberated, speaks to the extremities of our time. 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Words, letters, and signs thus become graphic motifs and shapes in the same way as geometric elements and colors in a composition. Her works, whether painted or printed, refer to the history of abstraction, ready-made art, Brazilian concrete and visual poetry, and Pop Art. In this first monographic work, Camila Oliveira Fairclough presents a wide range of paintings created between 2014 and 2024. It is accompanied by two texts that shed new light on her work, written by art and graphic design historian Victor Guégan and independent exhibition curator Jill Gasparina.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis book was published with the support of the Mrac Occitanie, Musée régional d’art contemporain, Sérignan. 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Conceived specifically for the museum’s spaces, the exhibition takes the form of a retrospective dedicated to the artist’s pictorial production, from her beginnings to the present day. The title refers to three phases in Du Pasquier’s painting practice.\u003c\/p\u003e\n\u003cp\u003eVolare (“To Fly ”) evokes the moment of detachment from the design of functional objects toward the freer practice of painting. It is perhaps no coincidence that many works from this period feature scenes viewed from above, with a bird’s-eye perspective—symbol of the power of imagination and its ability to soar and expand freely.\u003c\/p\u003e\n\u003cp\u003eGuardare (“To Look”) refers to a second phase, marked by the need to move away from purely imaginative scenes and devote attention to quiet, precise observation of reality—even the most ordinary and seemingly insignificant objects. These objects, when observed with care, reveal extraordinary forms, precious details, and the ability to encompass within themselves the complexity of existence. These are visions the artist describes as “utterly silent and utterly still,” inviting viewers to rediscover the pleasure of the sensible world through silent and attentive observation.\u003c\/p\u003e\n\u003cp\u003eUnsatisfied with the mere appearance of reality, Du Pasquier finally turns to Costruire (“To Build”), creating original structures—small, abstract three-dimensional constructions—which are then portrayed with paint, brought back onto the two-dimensional surface of her canvases. 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Each composition is accompanied by a short text by the artist, revealing the stories and resonances of the chosen elements. Like a \"Chinese portrait,\" the book unfolds as a poetic and singular self-portrait, inviting the reader to enter the artist's sensitive universe.\u003c\/p\u003e\n\u003cp\u003eConceived as a studio notebook, this book brings together a series of compositions by Nathalie Du Pasquier, created directly on the floor of her studio in Milan. Everyday objects, drawings, books, photographs—each composition is made up of carefully chosen elements, like fragments of an intimate language. These visual arrangements, both precise and instinctive, reveal her way of combining forms and colours, of creating dialogues between things, in a balance specific to her pictorial practice. They offer a rare glimpse into her world—an off-screen view of her work.\u003c\/p\u003e\n\u003cp\u003eEach image is accompanied by a short text written by the artist. With a tone that is unmistakably hers—humorous, poetic, direct—these texts reveal the stories, resonances, memories or coincidences that link the elements together. This back-and-forth between image and writing gradually forms a subtle self-portrait, like a Chinese portrait.\u003c\/p\u003e\n\u003cp\u003eThe book's design echoes the drawing pads the artist uses in her daily practice, highlighting the importance of paper, format, and drawing as a space for reflection. Part visual journal, part object collection, part sensitive narrative, this book offers a new perspective on Nathalie Du Pasquier's work—shaped by the clarity and freedom of her unique vision.\u003c\/p\u003e\n\u003cp\u003eA famous designer and co-founder of the Memphis group in Milan in 1981, Nathalie Du Pasquier (born 1957 in Bordeaux, France, lives in Milan, Italy) accompanied the (post)modern adventure around designer Ettore Sottsass, with the creation of objects, fabrics, carpets, and furniture. In 1986, she started devoting herself exclusively to two- and three-dimensional painting. Memphis's radicalism and formal inventiveness measured solely in terms of a scathing and iconoclastic postmodernism erased a little too quickly the adventure's modern foundations. Nathalie Du Pasquier's paintings are a perfect revelation of these connections: axonometric compositions applied to painting, the palette of muffled colors, objects, when they are present in the compositions, wink at the purism of a Corbusier or an Ozenfant. Mixed with memories and assimilations arising from the most tridimensional Suprematism–the architectones–some paintings and constructions also give prominence to this history of art and the applied arts.\u003cbr\u003e \u003cbr\u003eTexts by Nathalie Du Pasquier\u003cbr\u003eGraphic design: Hugo Berger\u003cbr\u003e \u003cbr\u003ePublished in December 2025\u003cbr\u003eBilingual edition (English \/ French)\u003cbr\u003e30,5 x 21 cm\u003cbr\u003eSoftcover\u003cbr\u003e56 pages (55 ill.)\u003cbr\u003eISBN: 978-2-9593712-3-3\u003c\/p\u003e\n\u003cp\u003e© Editions de l'Observeur\u003cbr\u003e\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":56323703013724,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/NDP_Couv_SO_MANY_REAL_THINGS.jpg?v=1766764944"},{"product_id":"hikari-ono-on-a-still-surface","title":"Hikari Ono - On a Still Surface","description":"\u003cp\u003eHikari Ono is known for her ongoing series Object for paintings, a body of small clay sculptures defined by minimal forms and a reduced yet subtle color palette. Alongside this three-dimensional practice, she also explores the medium of monotype. Created with black ink on postcard-sized glass plates, her works capture on their surface a sequence of simple gestures, unfolding a formal vocabulary that oscillates between opacity and transparency, structure and accident. This book brings together and reproduces at actual scale around sixty of these pieces, created between 2015 and 2025.\u003c\/p\u003e\n\u003cp\u003eHikari Ono was born in 1990 in Lüneburg (Germany). She currently lives in Tokyo.\u003c\/p\u003e\n\u003cp\u003eHikari Ono’s work consists mainly of small clay sculptures with minimal forms and a limited but delicate repertoire of colors; however, the apparent modesty and the obvious playfulness of these works do not hide their strong analytical ambition for long.\u003c\/p\u003e\n\u003cp\u003eThrough her practice of clay modeling alone, the most archaic and direct way of shaping a solid, the artist demonstrates her interest in returning to primary structures. Each piece is subject to only a few essential interventions such as laceration, grooving, crushing or spreading, and hollowing out or adding. Often these marks testify to the presence of her fingers, including their visible imprint. Ono’s works are fundamentally tactile, and not just because they are hand-sized.\u003c\/p\u003e\n\u003cp\u003eWhat ultimately gives her pieces their ambiguity, and hence their power, is that they go beyond a strict exercise in deconstruction to dialogue with the realm of painting. The marks applied to the clay are reminiscent of a Baroque drapery or the vibrant surface of an abstract painting; they evoke Robert Ryman’s brushstroke, Lucio Fontana’s punctures or, more often than not, some other unidentified and happy pictorial invention. In this sense, although the artist is exploring the grammar of sculpture, she does so to have it speak the language of painting.\u003c\/p\u003e\n\u003cp\u003eHikari Ono is represented by XYZ Collective (Tokyo)\u003c\/p\u003e\n\u003cp\u003eEdited by Olivier Mignon\u003cbr\u003eDesigned by Roger Willems\u003cbr\u003eInterview by Hikotaro Kanehira\u003cbr\u003ePublished by Keijiban (Kanazawa) and Roma Publications (Amsterdam)\u003cbr\u003eEnglish and Japanese\u003c\/p\u003e\n\u003cp\u003e23.5 x 16.5 cm\u003cbr\u003e48 pages\u003cbr\u003eISBN 9789464460940\u003c\/p\u003e\n\u003cp\u003e© Keijiban\u003cbr\u003e© \u003cmeta charset=\"utf-8\"\u003eRoma Publications\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":56614019989852,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/R501-28.jpg?v=1769850627"},{"product_id":"claire-tabouret-through-my-eyes","title":"Claire Tabouret - Through My Eyes","description":"\u003cp\u003e2025\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e6.7 x 4.5 inches\u003cbr\u003e32 pages with slipcase\u003cbr\u003eISBN 9791091539579\u003c\/p\u003e\n\u003cp\u003e© Perrotin\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":56911813378396,"sku":null,"price":36.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/claire-tabouret-perrotin-leporello-through-my-eyes-02_2000x_jpg.jpg?v=1772790896"},{"product_id":"jean-philippe-delhomme-studio-days","title":"Jean-Philippe Delhomme - Studio Days","description":"\u003cp\u003e2024\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e6.7 x 4.5 inches\u003cbr\u003e32 pages with slipcase\u003cbr\u003eISBN 9791091539524\u003c\/p\u003e\n\u003cp\u003e© Perrotin\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":56921818399068,"sku":null,"price":36.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/jean-philippe-delhomme-studio-days-leporello-05_2000x_jpg.jpg?v=1772791185"},{"product_id":"joel-meyerowitz-morandis-objects","title":"Joel Meyerowitz - Morandi's Objects: The Complete Archive of Casa Morandi","description":"\u003cp\u003eThe American photographer appropriates the objects that populate the Italian painter's work.\u003c\/p\u003e\n\u003cp\u003eIn the spring of 2015, world-renowned photographer Joel Meyerowitz spent time in Giorgio Morandi's studio at 36 Via Fondazza in Bologna. The simple rooms where Morandi painted are filled with objects—vases, tins, shells, bottles, and jugs—arranged on shelves, sideboards, chests of drawers, and spilling onto the floor. Morandi selected and arranged these items on makeshift tables to capture them, and the light that fell upon them, in oil, watercolor, and pencil, creating an elusive body of work that continues to inspire artists. Some fifty years after Morandi's death, in the very same space, Meyerowitz engaged with Morandi's surfaces and light, allowing the same shadows to fall. He handled each object with care, placing them one by one on Morandi's marked tabletop. Meyerowitz photographed every object in the studio, bestowing upon each a sense of individuality while making them his own.\u003c\/p\u003e\n\u003cp\u003eMorandi's Objects is an essential publication for anyone interested in photography, still life, and the art of Giorgio Morandi. Originally published in 2016, this expanded and revised edition includes more than 130 new photographs, a new essay by Amanda Renshaw and an updated bibliography.\u003c\/p\u003e\n\u003cp\u003eMaggie Barrett is a painter, writer, and musician. She has written four novels and a play that she performed off Broadway. She and her husband, Joel Meyerowitz, are the subjects of the film Two Strangers Trying Not to Kill Each Other, directed by Manon Ouimet and Jacob Perlmutter.\u003c\/p\u003e\n\u003cp\u003eAn art historian by training, Amanda Renshaw has collaborated with many of the world's leading artists, art historians, and creative figures. In 2023, she curated Morandi's Objects by Joel Meyerowitz at the Palazzo Franchetti in Venice.\u003c\/p\u003e\n\u003cp\u003eJoel Meyerowitz (born 1938 in New York) is considered, together with William Eggleston and Stephen Shore, one of the most representative exponents of New Color Photography of the 60s and 70s. After an experience as an art director, in the 1960s he began to devote himself to photography inspired above all by Robert Frank. He then began to collaborate with several important authors such as Garry Winogrand, Tony Ray-Jones, Lee Friedlander, Tod Papageorge and Diane Arbus. The small format camera (35 mm) allowed Meyerowitz to cross New York and behave like a real street photographer, recording small random events, minimal and revealing details, faces and urban landscapes. Thanks to collaborations with William Eggleston and Stephen Shore, Meyerowitz then approached the large format until arriving at the important work he carried out after the attacks of September 11, 2001. Meyerowitz was the only one authorized to photograph Ground Zero closely immediately after the attacks: many of these photographs were then collected in the volume Aftermath: World Trade Center Archive. An ever-evolving photographer, lately inspired by the works and events of Paul Cézanne, he creates a series of photographs of the French artist's objects. Meyerowitz's photographs are featured in important public and private collections including the Museum of Modern Art in New York, the Museum of Fine Art in Boston and The Art Institute of Chicago. Among the many personal exhibitions held since 1966, we mention On the street, Color photographs, 1963-1973 (Chicago Art Institute, 1994-95), and Aftermath: inside the forbidden city (travelling exhibition since 2003).\u003cbr\u003e \u003cbr\u003eTexts by Joel Meyerowitz, Maggie Barrett, Amanda Renshaw\u003cbr\u003e \u003cbr\u003ePublished in March 2026\u003cbr\u003eEnglish edition\u003cbr\u003e22,7 x 28,5 cm\u003cbr\u003eHardcover\u003cbr\u003e200 pages (192 ill.)\u003cbr\u003eISBN : 978-88-6208-856-5\u003c\/p\u003e\n\u003cp\u003e© Damiani\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":57141886517596,"sku":null,"price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/9788862088565_1.jpg?v=1774365643"},{"product_id":"iris-de-mouy-you-smell-different-but-youre-just-the-same","title":"Iris de Moüy - You smell different but you're just the same","description":"\u003cp\u003eYou Smell Different But You’re Just the Same is a series of paintings by Iris de Moüy, produced over a span of fifteen years.\u003c\/p\u003e\n\u003cp\u003eWhile sorting through her archives, Iris de Moüy came upon countless drawings of her daughter, made from the moment of her birth, alongside paintings produced throughout those years.\u003c\/p\u003e\n\u003cp\u003e“I simply watched this child grow by drawing her.” Her words say it all: gestures and postures inscribed in early childhood, later recognized as enduring traces of who we are and who we become. In this series, Iris de Moüy’s line moves with great tenderness, revealing a bond between mother and child that is at once intimate, familiar, and enigmatic.\u003c\/p\u003e\n\u003cp\u003eIris de Moüy (born in 1975 in Paris) lives and works in Paris. She draws, paints, and writes. Working primarily on paper, her open and spontaneous style expresses a range of emotions using ink, gouache, and oil paint. She sometimes tells stories through short animated films, bringing her whimsical drawings to life. Throughout her work, she creates a unique universe, inspired by both everyday life and a sense of magic. She creates children's books and artist books and was an artist-in-residence at Villa Kujoyama (Kyoto, Japan) in 2015.\u003c\/p\u003e\n\u003cp\u003eFirst edition\u003cbr\u003ePaintings: Iris de Moüy\u003cbr\u003eEditing and sequencing: Cécile Poimboeuf-Koizumi\u003cbr\u003eSoftcover with dustjacket\u003cbr\u003e32 pages\u003cbr\u003e14 plates\u003cbr\u003e24 x 30 cm\u003cbr\u003eFrench \/ English\u003cbr\u003ePublication date: March 2026\u003cbr\u003eISBN: 979-10-96383-57-3\u003c\/p\u003e\n\u003cp\u003e© Chose Commune\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":57165160874332,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/Iris-de-Mouy-cc-copie-1536x1024.png?v=1774442823"},{"product_id":"idir-davaine-pepites","title":"Idir Davaine - Pépites","description":"\u003cp\u003eThis book presents 69 paintings on paper, originally produced at a size of 136 × 106 cm freely adapted to risograph printing at Studio Fidèle. For the occasion, we invited the poet Laura Vasquez to contribute her words, engaging in a dialogue with Idir’s images. The book is co-published by Ok Des Paris and Fidèle Éditions.\u003c\/p\u003e\n\u003cp\u003eCo-editing by Ok Des Paris × Fidèle Éditions\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: Idir Davaine\u003cbr\u003eTexts: Laura Vazquez\u003cbr\u003eDesign: Jean-Philippe Bretin\u003cbr\u003ePrinting: Samya Moineaud\u003cbr\u003eEditors : Vincent Longhi \u0026amp; Sébastien Desplat\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMarch 2026\u003cbr\u003eFirst edition of 1,500 copies\u003cbr\u003e18 x 24 cm\u003cbr\u003e120 pages\u003cbr\u003eRiso printing\u003cbr\u003eISBN 978-2-492290-30-5\u003c\/p\u003e\n\u003cp\u003e© Ok Des Paris\u003cbr\u003e© Fidèle Éditions\u003c\/p\u003e","brand":"Yvon Lambert Bookshop","offers":[{"title":"Default Title","offer_id":57322200400220,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0085\/4913\/8498\/files\/Couv-Pepite-OBJECT_png_c114fde0-fe20-4ecb-a20e-7069b78038aa.webp?v=1775824820"}],"url":"https:\/\/www.yvon-lambert.com\/collections\/photography-copy.oembed?page=3","provider":"Yvon Lambert Paris","version":"1.0","type":"link"}