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From the publisher:

Mysticism, magic, as well as individual interpretations and abstractions of spirituality and cultural rituals are the binding links between the contributions in this volume. It contains 175 pages of pure content.

Following contributors are involved
011668, Apex, Áron Lőrincz, Adam Varab, Adrienne Kammerer, Alicia Gladston, Bastian Kussin, Beatus of Liébana, Ben Sang, Calissa Teiniker, Charles Spano, Chiu Laozhi, Claire Barrow, Christian Fjorks Thomsen, Elliot Fry, Emma Dudlyke, Emilio Subia, Eneas Bohatsch, Fitnesss, Gaspard Hers, Gaëlle Botta, Gia Söder, Hooz, Harrison Sayed, Ilana Blumberg, Jean-Baptiste Normand, Johannes Farfsing, Johannes Seluga, Jonas M. Mölzer, Jonathan Lyon, Juraj Cernak, Karl-William Klenk, Kasia Postaremczak, Katya Zhitkovskaya, Kay Yoon, Nassim L'Ghoul, Riccardo D’avola-Corte, Richard Müller, Ringo Lukas, Ruby Gaskell, Sal Salandra, Tony Cox, Ulli, Varias, Vincent Georgios Courtpozanis, Wang Zi Won, Willi Jeschar, William Potrykus, Xavier Dartayre

176 Pages
21 x 28,5 cm

Synchron is an independent magazine dedicated to showcasing a broad spectrum of niche contemporary art, literature, subcultural practices, especially those developed in antagonism with, or parallel to, the larger commercial art market. Synchron provides its readers with an opportunity to discover ambitious, emerging artists beyond online platforms; and gives its contributors a versatile option to present their work.

This project grew out of our admiration for other international art communities, and our subsequent desire to build one of our own – with the particular understanding that young, self-taught artists and students are a minority in the current print landscape and are often discredited as “off-artists”. Furthermore, in the course of our conversations with these artists about their work and this pandemic, a clear consensus emerged: we feel that the value of (new) artworks is being diminished by endless proliferation of online publications accessed largely through the small shiny scrolling screens of smartphones. This was a major factor in our decision to choose print as our medium.

For the pilot issue we intentionally did not choose a specific topic, in order to find out what ideas and undercurrents our contributors were collectively reaching towards in our unprecedented times. It was only then, after the contributions had been sent in, that we chose the title “Current Frictions”.

Synchron is built upon a deep love for the history of art movements and the joys of collaboration.

© Synchron Magazine


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