Les Saisons - N°3, Une part discrète du film
Lancement du numéro 3 de la revue Les Saisons
« FRAME MANŒUVRES » par Bruno Delgado Ramo
30 juin 2021
18h – 20h
June 30th, 2021
6:00 PM – 8:00 PM
***

À l’occasion de la sortie de son troisième numéro, la Revue Les Saisons et la Librairie Yvon Lambert invitent le cinéaste espagnol Bruno Delgado Ramo. Il présentera plusieurs de ses créations in situ autour des origines optiques du cinéma et du médium film, invitant le public à découvrir les mécanismes traditionnellement invisibles de la projection cinématographique. Bruno Delgado Ramo conduira une double projection super 8 en personne dans l’espace de la librairie. La première sera une performance réalisée à deux reprises lors de la soirée (18h30 & 19h30) et la deuxième – une installation spécialement conçue pour la fenêtre de la librairie.
Performance, 26’
WORK TO GET DONE
super8, 26’, 18fps, son magnétique
Film qui est encore en train de se faire et qui sera partagé dans une configuration sonore développée spécifiquement dans l'espace de présentation, la Librairie Yvon Lambert. À leur manière, les bobines super8 qui composent le film sont des enregistrements de lieux en cours de réalisation : un certain nombre de chantiers de rue, des ateliers d'artistes et d'autres espaces de maison dans lesquels un processus et un état d'inachèvement ont lieu. Dans cette optique, le film sera projeté en cours de construction et la bande sonore magnétique sera ajoutée sur place juste avant la projection, à l'aide de ce que l'on trouve dans la librairie.
Installation, 7’
FRAME MANOEUVRES
environnement de projection adapté à la fenêtre de la Librairie Yvon Lambert, super8 en boucle, 18fps, son magnétique, ventilateur, feuilles de plastique rouge et translucide, miroir rectangulaire.
Ce dispositif filmique est une étape intermédiaire d'un projet à venir qui étudie les zones de pilotage des ports de La Corogne et de Toronto (où seul le pilote du port est suffisamment habile pour manœuvrer) et le cadre du film pris à la fois comme des surfaces délimitées consacrées à la manœuvre, aux mouvements et à des procédures très précises, navales et cinématographiques.
***
On the occasion of the release of its third issue, Les Saisons Cinema Journal and the Yvon Lambert Bookshop invite the filmmaker Bruno Delgado Ramo. He will present several of his creations in situ around the optical origins of cinema and the medium of film, inviting the public to discover the traditionally invisible mechanisms of cinematographic projection. Bruno Delgado Ramo will conduct a double super 8 projection in person in the bookshop space. The first will be a performance made twice during the evening (6:30 & 7:30 pm) and the second - an installation specially designed for the bookshop window.
Screening performance, 26’
WORK TO GET DONE
super8, 26’, 18fps, magnetic sound
A film that is still being made, that will be shared into a sound configuration developed specifically in the presentation space, the Librairie Yvon Lambert. In their own way, the super8 reels that comprise the film are records of places while they are being made: a number of street construction sites, some artist studios and other house spaces in which a process and a state of incompleteness takes place. In line with all these matters, the film is shown under construction and the magnetic soundtrack is added on-site just before the screening, making use of whatever is found in the bookshop.
Film-environment, 7’
FRAME MANOEUVRES
projection environment adapted to Librairie Yvon Lambert’s windows, super8 on loop, 18fps, magnetic sound, fan, red and translucent plastic sheets, rectangular mirror.
This film-based arrangement is an intermediary stage of an upcoming project that investigates the port pilotage area (where only the port pilot is sufficiently skilled at manoeuvring) and the film frame taken both as demarcated surfaces devoted to manoeuvring, to precise procedures. The pair of projectors make the moving image transit through the space and divide into different layers. The series of mobile elements and of actions between the projector and the projection alters the latter.
***
Nouvelle collection inédite d’histoires du cinéma écrites par les cinéastes. Nous les suivons à travers de nombreux passages, des rencontres, des outils, des êtres aimés, la mémoire du film. Les allers-retours sont incessants et témoignent tant de l’être infini du cinéma que de son double pour dire et raconter le monde - l’écriture.
New unpublished collection of histories of cinema written by filmmakers. We follow them through many passages, encounters, tools, loved ones, the memory of the film. The ceaseless back-and-forth movements testify to the infinite nature both of cinema and of writing, cinema’s double when it comes to speaking of, and narrating, the world.
Auteurs:
Lis Rhodes, Alexandra Cuesta, Sharon Lockhart, Larry Gottheim, Bruno Delgado Ramo, Helga Fanderl
Traducteurs:
María Palacios Cruz, Marcelline Delbecq, Anne Bertrand, Blandine Longre, Gaëlle Cogan, Anita Rochedy, Mark Harvey, Renaud Lejosne-Guigon
Les écrits que Les Saisons collecte naissent dans un espace de coalescence entre les mots et les images : le paysage masculin de l’histoire que Lis Rhodes rouvre à son appropriation irréductible, l’acuité magique dans la notation des souvenirs qui compose le texte d’Alexandra Cuesta, collectrice de traces, la visibilité du travail et de l’amour dont Sharon Lockhart interroge l’enregistrement, les morceaux d’existence qui se dégagent de la remémoration comme acte
éperdu de conscience chez Larry Gottheim, le processus de l’écriture chez Bruno Delgado Ramo tel un peintre faisant sa palette, le trouble dans le temps à travers la somme d’aperçus abondants et lacunaires d’Helga Fanderl, collectrice de vues.
www.revuelessaisons.com
Revue Les Saisons N°3
parution mars 2021
français et anglais
80 pages
monochrome
1 image
format 16 x 34 cm
ISBN 978-2-9574810-0-2
ISSN 2609-4002
© Les Saisons
Please note that colors may slightly differ between the screen and the actual product.
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